Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
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Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
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“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
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“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
People start laughing when heavy-set dancer comes to stage, but as he starts to dance, everyone’s mouths drop…
The intensity with which Aoniken Quiroga moved to Jerry Lee Lewis’s “Great Balls of Fire” song led to her attacking the spectators at the Vienna tango show. But the bigger guy immediately shot to fame, exploding off all of his actions. The crowd probably assumed that throughout the performance, his more alluring and trimmer dance partner would steal the show. It is always exciting to see new and enthusiastic performers hit the stage. This is a result of the abundance of amazing dancers that perform throughout the world.
Whether they are experienced dancers or are just getting started, there are many people who have the potential to be captivating dancers. Even though we should be aware of this better, many people still find it impossible to abstain from doing it.
Conversely, there are several instances of persons who have amazed others with their skills after confronting others with criticism regarding their appearance. The beautiful voice of singer Susan Boyle, who had been eliminated from the competition because of an overly feminine appearance, won over the judges in a talent competition. Furthermore, this evaluation is incorrect for pastimes like dancing that call for physical effort. Some people hold the false belief that larger people would find it more difficult to execute intricate dance moves; however, this is untrue.
When someone works hard and puts in a lot of effort, there is no relationship between their size and their ability to move their body correctly. This incident specifically happened at the 2012 TANGOAMADEUS dance party. There was a bigger guy on stage, and his presence surprised everyone. His emotions were so captivating that everyone was unable to look away from him. His superb abilities allowed him to enthrall both the audience and those who were at home.
Please make sure you read this article through to the end in order to guarantee that you can view the entire video. Given that music was what genuinely sparked Quiroga and his companion’s decision, it was all the more amazing. People could start dancing and moving more than they have in the past because of this lively music. One of Lewis’s most well-known songs, “Great Balls of Fire,” encourages listeners to get up and move around. The dancers executed some of their fastest steps, demonstrating their rapid footwork that was required to keep up with the music. Viewers assumed that the male dance partner would be the center of attention after the pair’s initial performance. It was easy to notice her because she was a stunning woman wearing a sexy gold dress. But her coworker quickly outperforms her in terms of output.
Even though Quiroga was a taller man and was only dressed in a white shirt and black leggings, he was still able to grab everyone’s attention with his antics. There was little doubt that, even when the music started, the audience remained doubtful that the larger man could keep up with the fast-paced song. However, Quiroga was prepared to con every single one of them with his unquestionably amazing dance performance. The larger guy was not just a mediocre dancer, but an excellent one who performed better than the rest. In fact, because of the song’s fast tempo and his exceptional skills, there were times when it appeared as though his physically fit and handsome dance partner was struggling to keep up with him. The crowd quickly realized that the man’s height did not stop him from doing his amazing dance abilities.
Quiroga did a good job of twisting his partner. Even more amazing is the fact that his partner was able to rotate him around periodically. The audience could tell right away from the amazing hip motions and one-footed spinning that this guy had trained for this exact situation.
The man’s stature was definitely advantageous to him because he quickly refuted everyone’s perceptions. He was able to hold the attention of everyone in the audience with his captivating dance throughout. His rapid reflexes and agility were rather remarkable.
Though it may be easy to make an instantaneous assessment of someone based only on their outward features, including their height, it is important to remember that looks can be deceiving. Many have hidden talents or have committed to pursuits of interests and objectives that are typically unconnected to their outward appearance. Many people are secretly skilled. If someone’s true value, abilities, and skills are simply assessed based on their outward appearance, then their true worth could be grossly undervalued.
This can be frustrating in addition to being problematic and even impeding someone from reaching their goals. This young man made the decision to pursue his love of dancing despite the fact that he would undoubtedly run against doubters along the way, as the video demonstrates. His love and commitment to the art of dancing are evident in every fluid and confident move he makes on the dance floor. Over three and a half million people have watched the movie since it was first posted online.
Quiroga was showered with praise from the audience for both his outstanding performance and skill set. Some others even claimed that he outdid his dancing partner in terms of performance! For a lot of people who love dancing, the guy has become an inspiration. This man will act as a reminder that nothing is impossible for you to achieve, no matter how big you are. If you enjoy dancing, you shouldn’t let anything stop you from going out and having a great time. You may see it for yourself by seeing the video that is provided below!
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