As Lila was ready to celebrate her 17th birthday, she received an unexpected and creepy gift from her stepmother: a pink funerary urn. Like the type you keep ashes in? Yes, that’s the one. But that’s not all! Lila learns that her college fund was given to Monica to open her salon. What will Lila do?
Let me tell you, I’ve been sitting on this one for a few days, just trying to make sense of what went down.
I always thought my stepmom, Monica, was the worst, though not Disney villain evil. She was the kind of person who talks over you, forgets your birthday, and calls you “kiddo” when you’re practically an adult.
A smiling teenage girl | Source: Midjourney
But, what she pulled on my 17th birthday? It shattered whatever shaky truce we had.
At least, that’s what I thought. Turns out, things weren’t exactly what they seemed.
Here’s how it all went down.
My mom, Sarah, died when I was ten, and after that, it was just Dad and me. We were a solid team. The type of team that has pizza for dinner half the week, late-night movies, and this unspoken agreement that we’d always have each other’s backs.
Two boxes of pizza on a coffee table | Source: Midjourney
Then came Monica, about three years ago.
At first, she wasn’t horrible; she was just… there. Like a stray cat that never leaves, so you have no choice but to adopt it. Monica moved into our house, took over the bathroom with her fifty bottles of face serums and creams, and slowly pushed her way into my dad’s world.
Monica had big dreams of opening a hair salon, which was fine. I wasn’t against people having dreams. I had my own dreams waiting for me, but she treated me like I was just this annoying piece of furniture that came with the house.
A woman’s vanity | Source: Midjourney
Honestly, I was counting down the days until I could escape to college.
Dad had promised me since middle school that there was a college fund waiting for me.
“Don’t worry, sweet girl,” he told me. “Your mom and I put together the fund when you were five. There’s more than enough, and every year on your birthday and Christmas, I add more.”
A smiling little girl | Source: Midjourney
“Thank you, Dad,” I said. “I just want to study and make something of myself, like Mom said.”
“You only have to worry about your grades, Lila,” he said. “I’ll handle the rest.”
Naturally, I worked my butt off in school, knowing that in a few years, I’d be out of here.
A smiling man | Source: Midjourney
College was my golden ticket, and no one — not even Monica — would stand in my way.
At least, that’s what I thought.
On the morning of my 17th birthday, I came downstairs expecting the usual lukewarm effort. By lukewarm, I mean a sad card, some pancakes, and Monica forgetting my favorite syrup. Dad was at work, so it was just Mon and I.
A plate of pancakes and a card on a table | Source: Midjourney
She handed me a gift bag, which was already weird because Monica wasn’t exactly the thoughtful or sentimental type.
“Happy Birthday, kiddo,” she said, flashing one of her tight-lipped smiles.
I wasn’t expecting much, but I sure as hell wasn’t expecting this.
I reached inside the bag and pulled out… an urn.
A shocked teenage girl | Source: Midjourney
A funerary urn.
You know, the kind that people store ashes in. Cold, heavy, and, well, pink. It was pink.
I just stared at it, my brain short-circuiting.
“What the hell is this?” I asked, holding the urn like it was cursed.
A pink funerary urn | Source: Midjourney
Monica leaned against the kitchen counter, smug as ever.
“It’s symbolic,” she said as if that explained anything.
“Symbolic of what?”
Monica’s grin widened.
A smiling woman in a kitchen | Source: Midjourney
“It’s time to bury your dreams of college, kiddo. Your dad and I talked about this, and we decided to put the college fund to better use.”
“Better use?” I asked, a cold shiver running through me.
“Yep. We’re investing it in my hair salon. College is a gamble, Lila. A business? That’s something real, sweetie.”
A hair salon being renovated | Source: Midjourney
She sipped her coffee like she’d just said the most reasonable thing in the world.
I was frozen in place, trying to make sense of what I’d just heard. Had they really taken my future, everything I’d worked for, and sunk it into Monica’s salon dream?
“How could you do this?” I whispered.
Monica just smiled, a little too pleased with herself.
A shocked teenage girl | Source: Midjourney
“Life’s full of disappointments, kiddo. Better get used to it now,” she said.
Wow.
That was it. I was done. I ran upstairs, slamming the door behind me so hard that the walls shook.
I cried so hard it hurt. What else could I do? Everything I had been holding onto was gone, and the only person I thought I could count on, Dad, had let this happen.
An upset teenage girl | Source: Midjourney
My mom wanted me to get out and make something of myself. And now? It was all over.
The next few days were a blur. I didn’t speak to Monica or my dad unless I absolutely had to. Every time I looked at that stupid urn sitting on my desk, my stomach twisted.
I couldn’t even bring myself to throw it out. It felt like some kind of morbid evidence. Like proof of the betrayal I didn’t see coming.
A pink funerary urn on a desk | Source: Midjourney
At school, my friends tried to cheer me up.
“Maybe she thought it was funny, Lila,” my friend Kira said. “Like, who really knows what Monica is thinking?”
“And anyway, there’s nothing stopping you from throwing it out! Just do it! Don’t overthink it,” Mel said.
Three teenage girls | Source: Midjourney
But still, I couldn’t focus on anything other than the fact that Monica was prancing around, acting like she was the queen of the house, while I sat there with no future.
Then, a few days later, something strange happened.
When I got home from school, there was a note on my desk. Not in an envelope, just folded, with my name written in Monica’s messy handwriting.
A woman sitting on a couch | Source: Midjourney
Meet me at the salon at 6 P.M. tonight. No questions. Just trust me. -M.
I almost laughed out loud. Trust her? Yeah, right.
But something about the note gnawed at me. Maybe it was the fact that I wanted to confront her one last time, tell her exactly what I thought of her.
Against my better judgment, I decided to go.
A note on a table | Source: Midjourney
When I got to the salon, the lights were off, and the front door was unlocked.
I hesitated for a second, wondering if this was some elaborate prank. But curiosity got the best of me.
I stepped inside, and there they were. Monica and my dad, standing side by side, both grinning widely.
“Surprise!” Monica shouted, throwing her arms up like this was the happiest moment of her life.
The entrance to a salon | Source: Midjourney
I just stared at them, completely lost.
“What is this?”
Monica stepped aside, and that’s when I saw it — a shiny, brand-new sign mounted on the wall.
Dream Cuts: A Scholarship Fund in Honor of Sarah
I blinked, feeling like the room was tilting on its axis.
A hair salon | Source: Midjourney
“What… what is this?”
Monica smiled, but it wasn’t her usual smug grin. This one was softer, almost real.
“We didn’t use your college fund, kiddo. It’s all still there. The salon? It’s not just for me. It’s for you, too. For other kids like you, too.”
I couldn’t breathe.
A smiling woman | Source: Midjourney
“But then, why would you make me think otherwise?” I asked.
Monica winced, putting her hand on her head.
“Yeah, so, the urn thing… That was not my best idea. I thought it’d be motivational, like, bury the past and embrace the future. You know? But it turns out that it was just creepy.”
A woman with her hand on her head | Source: Midjourney
I stared at her, speechless.
My dad stepped forward, wrapping an arm around my shoulder.
“We’ve been planning this for months, Lila,” he said. “Your mom always wanted to help kids get to college. This salon is going to fund scholarships. For you and for others in her name.”
“The salon has been my dream, Lila,” Monica said. “But it was never going to come at your expense. This way, a great portion of all our profits in the future will go to the fund.”
A smiling man | Source: Midjourney
I didn’t know what to say.
Or what to think.
Just that I felt a warm haze take over me.
Monica laughed softly.
“I’m not a monster, darling,” she said. “I just didn’t want you to think that I was trying to take over your mom’s role.”
A smiling woman | Source: Midjourney
For the first time in a long time, I smiled.
It wasn’t perfect, but things with Monica probably never would be. But, at that moment, standing in the middle of a salon named for my mom’s dream, I realized that she wasn’t trying to ruin my life.
She was trying to build something bigger than any of us.
A smiling teenage girl | Source: Midjourney
And somehow, against all odds, it felt like a new beginning.
And yeah, I kept the urn. But I planted white peace lilies in it, thinking it would be symbolic after all. And who knows, maybe I’ll take the urn to college.
What would you have done?
Peace lilies planted into a pink funerary urn | Source: Midjourney
If you enjoyed this story, here’s another one for you |
I Transferred $24K to My Daughter for Her College Tuition, Only to Discover She Never Enrolled — What She Spent It On Made Me Pale
Caroline had been saving for her daughter’s college fund since Angela was born. But after a classmate of Angela’s reveals that Angela is not actually enrolled in college, Caroline must uncover what her daughter is doing and what she used the money for.
Children are always going to break your heart. This was something that I learned the hard way after trusting my daughter, Angela, completely.
A close-up of a smiling girl | Source: Midjourney
Since Angela was born, I have been saving for college. I needed to know that irrespective of what life threw my way, I would be able to educate my child.
“I think you can wait until she’s a little older,” my husband, Holden, said. “We can do it together.”
“You can add to her college fund later,” I said, looking at my baby girl. “But I’m going to start from next month. I wasn’t able to study, Holden. And it was because we didn’t have the opportunity to do so. Angela is going to get that opportunity.”
A smiling baby girl | Source: Midjourney
“Okay, Caroline,” my husband said. “You start it now, and I’ll add to it in a year. The house will be paid off, and I’ll be able to put that money into the fund.”
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
10 Little-Known Mistakes in Pretty Woman That Will Blow Your Mind
Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
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