When we share our lives online, we often face criticism. This young couple, who love sharing pictures of each other, received negative comments about their relationship.
However, their response to the criticism is smart and reminds us how important it is to stand by our beliefs.
The story of Matt and Brittany Montgomery is a familiar but beautiful one. The couple met, fell in love, and began their life together.
While this may seem like a typical situation, the couple’s story has a unique twist: their size difference. Brittany has struggled to find acceptance throughout her life. She didn’t have a secure relationship with her parents, who were often controlling, and their interactions left her feeling drained.
These experiences led her to have low confidence in herself and her body. As a plus-sized woman, Brittany often found herself attracting two types of men: those who wanted her to lose weight or those who fetishized her curves. These negative experiences made her want to stop dating altogether and shut herself off from the chance of finding love.
While they fully accept each other, they’ve experienced judgment from the outside world. Matt mentioned, “People comment on Instagram and suggest that I’m not big enough or man enough for her.” He also said, “I notice people staring at us when we walk down the street…”
Despite the criticism they face from those who don’t understand their strong bond, the couple shares nothing but love for one another.
Matt has had bad experiences with conventionally sized women in the past. However, Brittany makes him feel different and has helped him realize that she is his true soulmate. He accepts her as she is and focuses on making her happy. He isn’t shy about publicly expressing his love for her. In a post dedicated to Brittany, he wrote, “You are worthy, you are deserving of infinite love every single day and more. The way I look at you and feel for you, and the way you look and feel for me, is how I know that we are meant to be.”
His message shows that despite the rude comments they receive on their pictures, he loves his wife, and their connection goes far beyond the physical. What a strong response to the haters!
The couple aims to break the stigma surrounding “mixed-weight” relationships. Brittany expressed, “I wish mixed-weight relationships were more common and accepted as the norm.”
The young couple welcomed their child, Lakelyn, in March 2022, and just last month, they announced they are expecting their second child in September 2023. We wish them all the best!
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
In the early 1990s, the world fell in love with the adorable Mara Wilson, the child actor known for playing the precocious little girl in family classics like Mrs. Doubtfire and Miracle on 34th Street.
The young star, who turned 37 on July 24, seemed poised for success but as she grew older, she stopped being “cute” and disappeared from the big screen.
“Hollywood was burned out on me,” she says, adding that “if you’re not cute anymore, if you’re not beautiful, then you are worthless.
In 1993, five-year-old Mara Wilson stole the hearts of millions of fans when she starred as Robin Williams’ youngest child in Mrs. Doubtfire.
The California-born star had previously appeared in commercials when she received the invitation to star in one of the biggest-grossing comedies in Hollywood history.
“My parents were proud, but they kept me grounded. If I ever said something like, ‘I’m the greatest!’ my mother would remind me, ‘You’re just an actor. You’re just a kid,’” Wilson, now 37, said.
After her big screen debut, she won the role of Susan Walker – the same role played by Natalie Wood in 1947 – in 1994’s Miracle on 34th Street.
In an essay for the Guardian, Wilson writes of her audition, “I read my lines for the production team and told them I didn’t believe in Santa Claus.” Referencing the Oscar-winning actor who played her mom in Mrs. Doubtfire, she continues, “but I did believe in the tooth fairy and had named mine after Sally Field.”
‘Most unhappy’
Next, Wilson played the magical girl in 1996’s Matilda, starring alongside Danny DeVito and his real-life wife Rhea Perlman.
It was also the same year her mother, Suzie, lost her battle with breast cancer.
“I didn’t really know who I was…There was who I was before that, and who I was after that. She was like this omnipresent thing in my life,” Wilson says of the deep grief she experienced after losing her mother. She adds, “I found it kind of overwhelming. Most of the time, I just wanted to be a normal kid, especially after my mother died.”
The young girl was exhausted and when she was “very famous,” she says she “was the most unhappy.”
When she was 11, she begrudgingly played her last major role in the 2000 fantasy adventure film Thomas and the Magic Railroad. “The characters were too young. At 11, I had a visceral reaction to [the] script…Ugh, I thought. How cute,” she tells the Guardian.
‘Burned out’
But her exit from Hollywood wasn’t only her decision.
As a young teenager, the roles weren’t coming in for Wilson, who was going through puberty and outgrowing the “cute.”
She was “just another weird, nerdy, loud girl with bad teeth and bad hair, whose bra strap was always showing.”
“At 13, no one had called me cute or mentioned the way I looked in years, at least not in a positive way,” she says.
Wilson was forced to deal with the pressures of fame and the challenges of transitioning to adulthood in the public eye. Her changing image had a profound effect on her.
“I had this Hollywood idea that if you’re not cute anymore, if you’re not beautiful, then you are worthless. Because I directly tied that to the demise of my career. Even though I was sort of burned out on it, and Hollywood was burned out on me, it still doesn’t feel good to be rejected.”
Mara as the writer
Wilson, now a writer, authored her first book “Where Am I Now? True Stories of Girlhood and Accidental Fame,” in 2016.
The book discusses “everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood, these essays chart her journey from accidental fame to relative (but happy) obscurity.”
She also wrote “Good Girls Don’t” a memoir that examines her life as a child actor living up to expectations.
“Being cute just made me miserable,” she writes in her essay for the Guardian. “I had always thought it would be me giving up acting, not the other way around.”
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