Paris Jackson, the only daughter of late pop star Michael Jackson, opened up about her African-American roots and how proud she is of that, as well as the criticism she received.
Paris, 25, was born to parents Billie Jean hitmaker and Debbie Rowe in 1998.
Over the years, there have been speculations that Jackson wasn’t the biological father of his three children, Paris and her two brothers, Bigi, 22, and Prince, 27. This was due to the fact that that many couldn’t see any resemblance between the late star and the kids, especially Paris who has white skin, light eyes and now bleached-blond hair.
The kids were very close with their father who went to great lengths to protect them from media scrutiny. His measures were unlike, however. He would show his son Bigi to the public with his face covered with a blanket, causing him troubles while growing up because his friends often teased him. He now prefers to be called Bigi.
Following the star’s death in 2009, his children were tossed alone in the public eye, turning them a highly profitable prey for the media that were eager to share their photos and followed their every step.
This experience left Paris battling a post-traumatic stress disorder (PTSD).
“I experience audio hallucinations, sometimes, with camera clicks and severe paranoia and have been going to therapy for a lot of things, but that included,” she shared.
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By age 15, Paris attempted suicide “multiple times” and in 2019 she was admitted at a treatment facility. “It was just self-hatred…Low self-esteem, thinking that I couldn’t do anything right, not thinking I was worthy of living anymore.”
Today, she’s a successful musician who follows into her father’s footsteps. Over the years, she has also walked the runway for famous brands such as Chanel. Paris is a member of the band The Soundflowers.
“Everyone in my family does music. I mean, I’m a Jackson,” she said in 2020. “It makes sense that I’m a musician but like, a Jackson doing folk indie?”
Paris is very close to her brothers and looks up to Prince. “He’s everything to me, you know?” In 2020, she told People of her relationship with her older brother. “I’ve always looked up to him and always wanted his approval and everything, and wanted to be more like him.”
He loves and supports his younger sister as much. “Basically, as a person, she is who my dad is. The only thing that’s different would be her age and her gender,” he said of Paris, adding that she’s similar to her father “in all of her strengths, and almost all of her weaknesses as well. She’s very passionate.”
The physical appearance of the King of Pop underwent significant changes over the course of his life and many accused him of bleaching his skin, which was considerably darker in his younger days, but he claimed he had never done anything to his skin and that it turning white was a result of Vitiligo, during an Oprah interview in 1993.
“I am proud of my race. I am proud of who I am,” Jackson told Winfrey at the time.
Back in 2017, speaking of herself, Paris told Rolling Stone magazine she “considers [herself] black,” and that “[Michael] would look me in the eyes and he’d point his finger at me and he’d be like, ‘You’re black. Be proud of your roots.’”
“Most people that don’t know me call me white. I’ve got light skin and, especially since I’ve had my hair blond, I look like I was born in Finland or something,” she said. “And I’d be like, ‘okay, he’s my dad, why would he lie to me?’ So I just believe what he told me. [Because], to my knowledge, he’s never lied to me.”
This declaration of race triggered criticism on Paris. Among the rest, it was host Wendy William’s that mocked Paris’ statement.
“I get that she considers herself black and everything, but I’m just talking about the visual because you know…black is not what you call yourself, it’s what the cops see you when they got steel to your neck on the turnpike.”
She added: “It’s what they see. But that’s cute and good for her.”
Jim Caviezel Takes a Stand: Refuses to Work with Robert De Niro
Unexpectedly, Jim Caviezel, an actor, made news when he openly declared that he would never collaborate with Oscar winner Robert De Niro. Widely known for his performance as Jesus Christ in Mel Gibson’s “The Passion of the Christ,” Caviezel has called De Niro a “wretched, ungodly man.” This audacious claim has spurred a spirited discussion over the viability of personal convictions and business partnerships in Hollywood.
Devoted to Christianity and renowned for his unshakable adherence to moral values, Caviezel has been transparent about his religious beliefs. These ingrained convictions have informed his choice to keep his distance from Robert De Niro. Although Caviezel did not elaborate on their falling out, it is obvious that his decision is the result of a disagreement with his values. The actor feels that there is a difference between De Niro’s public persona and his previous actions, and he wants to work on projects that are consistent with his own moral principles.
This incident calls into question how performers manage their own convictions in the politically charged and cooperative world of Hollywood. While diversity of thought and expression has always been respected in the profession, there are increasingly more examples of actors setting boundaries based on personal principles. Caviezel’s reluctance to collaborate with De Niro is indicative of a shifting society in which people are more willing to stand by their values, even if doing so puts them in danger of losing their jobs.
The entertainment business has seen firsthand how an actor’s public remarks may help or hurt their career. Although Caviezel’s refusal to work with De Niro might win him over to supporters who share his values and respect his dedication to his convictions, it also raises questions about possible negative effects on his future partnerships and how business people view him. Some people would proceed cautiously with such public pronouncements, and it’s still unclear how this incident will affect Caviezel’s professional path.
One of the key characteristics of Caviezel’s public presence has been his strong Christian faith. He gained notoriety as an actor willing to take on parts that align with his spiritual beliefs because to his depiction of Jesus Christ in “The Passion of the Christ.” The argument with De Niro highlights the difficulties actors encounter in trying to uphold their morality in a field notorious for its complexity and moral ambiguities.
Beyond the specific performers engaged, consideration of the larger ramifications for Hollywood and the entertainment business at large is prompted by Caviezel’s refusal to collaborate with De Niro. The continuous conflict between individual convictions and the collective process of filmmaking is brought to light by this incident. There may be a change in the dynamics of the industry if more actors choose to use their platforms to voice their ideals and stand up for causes that are important to them.
The topic of how personal beliefs and professional obligations intersect in Hollywood has gained attention as a result of Jim Caviezel’s resolute refusal to work with Robert De Niro on moral reasons. The narrow line that separates personal ethics from the communal spirit that characterizes filmmaking is brought to light by this incident. The conflict between Caviezel and De Niro highlights the difficulties and complications experienced by performers who work hard to be true to their values as the entertainment business strives to negotiate these intricacies.
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