We all go through life knowing that someday we won’t be here forever. I’m not afraid of dying and see it as a natural part of life. But what does worry me is growing old and not being able to take care of myself. The idea of relying on a hospice nurse makes me a bit anxious.
The thought of needing help with everything, being unable to do simple things on my own, and forgetting my loved ones’ names scares me. It’s not the kind of life I’d want. This fear reminds me of Maria, a music teacher who was cared for by a hospice nurse in 2016.
One night, as I was leaving at the end of my shift, I said ‘Goodnight, Irene.’ Then I asked her if she knew the song ‘Goodnight, Irene,’ and I sang a little bit of it. She looked at me and smiled,” Berg said. “For someone who didn’t usually talk much with the nurses, that smile meant a lot, and I knew I had made a connection with her.”As Rosipajla’s health got worse, it was decided to move her from the hospital to hospice care. “The last time I took care of Irene, I wanted to do something kind for her and her family, so I brought my guitar,” said Berg, who had studied music in college. “I sang ‘Goodnight, Irene,’ and it was a really special moment. I was nervous about singing in front of someone, but when I started playing and singing, she was so focused, and her family was really touched.”
Michelle Naypauer, Irene Rosipajla’s daughter-in-law who saw her as a mother, was in the room and moved to tears. “Irene was a wonderful person who treated me like a daughter,” Naypauer said. “In the last few months, Irene was in and out of the hospital, and we got to know Annamarie well.”
“Before the song, Annamarie had already done some great things. Our middle son, Eric, got married in August, and Annamarie helped set up FaceTime so Mom could be at the reception bridal table. It was beautiful,” Naypauer shared.
Naypauer, who recorded Annamarie singing to Irene, wanted to capture the special moment to share with the family. “There were so many tears, and it was just so beautiful,” she said. The song was a heartfelt farewell to Irene, who passed away a few weeks later at home, surrounded by her family.
Watch Joshua sing to Maria while she was in his carehttps://www.youtube.com/watch?v=uGFRHyt1sFQ
1. “Maria is dying. Then carer takes something out of his pocket and fulfills her last wish..” Newsner. Norhan Elhakeem. October 26, 2017
2. “Nurse sings to patient moving to hospice care in touching moment.” ABC News. Haley Yamada. March 2, 2020.
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
In the early 1990s, the world fell in love with the adorable Mara Wilson, the child actor known for playing the precocious little girl in family classics like Mrs. Doubtfire and Miracle on 34th Street.
The young star, who turned 37 on July 24, seemed poised for success but as she grew older, she stopped being “cute” and disappeared from the big screen.
“Hollywood was burned out on me,” she says, adding that “if you’re not cute anymore, if you’re not beautiful, then you are worthless.
In 1993, five-year-old Mara Wilson stole the hearts of millions of fans when she starred as Robin Williams’ youngest child in Mrs. Doubtfire.
The California-born star had previously appeared in commercials when she received the invitation to star in one of the biggest-grossing comedies in Hollywood history.
“My parents were proud, but they kept me grounded. If I ever said something like, ‘I’m the greatest!’ my mother would remind me, ‘You’re just an actor. You’re just a kid,’” Wilson, now 37, said.
After her big screen debut, she won the role of Susan Walker – the same role played by Natalie Wood in 1947 – in 1994’s Miracle on 34th Street.
In an essay for the Guardian, Wilson writes of her audition, “I read my lines for the production team and told them I didn’t believe in Santa Claus.” Referencing the Oscar-winning actor who played her mom in Mrs. Doubtfire, she continues, “but I did believe in the tooth fairy and had named mine after Sally Field.”
‘Most unhappy’
Next, Wilson played the magical girl in 1996’s Matilda, starring alongside Danny DeVito and his real-life wife Rhea Perlman.
It was also the same year her mother, Suzie, lost her battle with breast cancer.
“I didn’t really know who I was…There was who I was before that, and who I was after that. She was like this omnipresent thing in my life,” Wilson says of the deep grief she experienced after losing her mother. She adds, “I found it kind of overwhelming. Most of the time, I just wanted to be a normal kid, especially after my mother died.”
The young girl was exhausted and when she was “very famous,” she says she “was the most unhappy.”
When she was 11, she begrudgingly played her last major role in the 2000 fantasy adventure film Thomas and the Magic Railroad. “The characters were too young. At 11, I had a visceral reaction to [the] script…Ugh, I thought. How cute,” she tells the Guardian.
‘Burned out’
But her exit from Hollywood wasn’t only her decision.
As a young teenager, the roles weren’t coming in for Wilson, who was going through puberty and outgrowing the “cute.”
She was “just another weird, nerdy, loud girl with bad teeth and bad hair, whose bra strap was always showing.”
“At 13, no one had called me cute or mentioned the way I looked in years, at least not in a positive way,” she says.
Wilson was forced to deal with the pressures of fame and the challenges of transitioning to adulthood in the public eye. Her changing image had a profound effect on her.
“I had this Hollywood idea that if you’re not cute anymore, if you’re not beautiful, then you are worthless. Because I directly tied that to the demise of my career. Even though I was sort of burned out on it, and Hollywood was burned out on me, it still doesn’t feel good to be rejected.”
Mara as the writer
Wilson, now a writer, authored her first book “Where Am I Now? True Stories of Girlhood and Accidental Fame,” in 2016.
The book discusses “everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood, these essays chart her journey from accidental fame to relative (but happy) obscurity.”
She also wrote “Good Girls Don’t” a memoir that examines her life as a child actor living up to expectations.
“Being cute just made me miserable,” she writes in her essay for the Guardian. “I had always thought it would be me giving up acting, not the other way around.”
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