Miriam’s relaxing beach getaway was shattered when she locked eyes with her daughter Pamela and her son-in-law across the hotel lobby, the same people she had tearfully buried five years earlier. With her heart racing, Miriam had to decide: confront the ghosts before her, or let them slip away into the sun-drenched crowd.
Miriam stepped out of the airport shuttle, inhaling deeply. The salty air of The Bahamas filled her lungs, which was a welcome change from the stuffy plane cabin.
At sixty-five, this vacation was long overdue. Five years of grief had taken their toll on Miriam, etching lines around her eyes and mouth that hadn’t been there before.
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The Ocean Club Resort rose before her. Its gleaming structure promised nothing but relaxation and escape, so Miriam allowed herself a small smile as she followed a bellhop into the lobby.
The marble floors echoed with the chatter of excited tourists and the clinking of luggage carts, and Miriam stared at all their happy faces, hoping she would end up feeling just like them.
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“Welcome to The Ocean Club, ma’am. May I have your name for check-in?” The receptionist’s cheerful voice snapped Miriam out of her thoughts.
“Leary. Miriam,” she replied, fishing for her ID from her purse.
As the receptionist tapped away at the computer, Miriam’s gaze wandered. That’s when she saw them.
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Time seemed to stop.
Her breath caught in her throat.
Standing by the gift shop, examining a display of colorful seashells, were two people who couldn’t possibly be there. Her daughter, Pamela, and son-in-law, Frank.
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But they were dead. Killed in a car crash five years ago… Or so she thought.
“Ma’am? Your room key,” the receptionist’s voice sounded distant.
Miriam’s hand shot out, grabbing the key without looking, while her eyes never left the couple as they turned away from the gift shop and headed for the exit.
“Hold my bags,” Miriam barked, already moving. “I’ll be right back.”
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She hustled across the lobby, struggling with her breath. She was really out of shape, and the couple was almost at the door.
“Pamela!” Miriam called out. Even her own ears heard the desperation.
The woman turned, and her eyes widened in shock. It was unmistakably Pamela!
Suddenly, she grabbed her husband’s arm and whispered something urgently. Frank looked back, and Miriam saw his face transform into a mask of panic.
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Without any more warning, they bolted.
Miriam’s heart raced as she followed them out into the bright sunlight.
“Stop right there!” she yelled, her voice carrying across the palm-lined driveway. “Or I’ll call the police!“
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The threat worked.
The couple froze, and their shoulders slumped in defeat. Slowly, they turned to face her.
Pamela’s eyes brimmed with tears, but Miriam had no idea why. Was Pamela crying because of guilt, because of the lie, or because of something else?
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“Mom,” her daughter whispered. “We can explain.”
***
Pamela and Frank’s hotel room door clicked shut behind them, sealing off the cheerful vacation atmosphere outside. Inside, the air felt heavy, charged with the past five years of Miriam’s mourning and her current anger.
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She stood rigid with her arms crossed. “Start talking,” she demanded firmly.
Frank cleared his throat. “Mrs. Leary, we never meant to hurt you.”
“Hurt me?” Miriam’s laugh was harsh. “I buried you. Both of you. I grieved for five years. And now you’re standing here, telling me you never meant to hurt me?”
Pamela stepped forward, trying to reach out. “Mom, please. We had our reasons.“
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Miriam recoiled from her daughter, although she also had the same urge. “What reason could possibly justify this?”
Frank and Pamela exchanged troubled glances, and it took a second before Frank spoke. “We won the lottery.”
Silence fell, broken only by the distant sound of waves crashing on the beach outside.
“The lottery,” Miriam repeated flatly. “So you faked your own deaths… because you won money?”
Pamela nodded and began to elaborate, although her voice could barely be heard.
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“It was a lot of money, Mom. We knew if people found out, they’d all want a piece. We just wanted to start fresh, without any obligations.”
“Obligations?” Miriam’s own voice rose. “Like paying back the money you borrowed from Frank’s family for that failed business? Like being there for your cousin’s kids after their parents died? Those kinds of obligations?”
Frank’s face hardened. “We didn’t owe anyone anything. This was our chance to live the life we always wanted, and we don’t plan on letting anyone get in our way.”
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“At the expense of everyone who loved you, and I bet you’re also avoiding taxes,” Miriam shot back. She turned to her daughter. “Pamela, how could you do this? To me?”
Pamela looked down and sniffled. “I’m sorry, Mom. I didn’t want to, but Frank said…”
“Don’t blame this on me,” Frank interjected. “You agreed to the plan.”
Miriam watched as her daughter wilted under her husband’s glare. At that moment, she clearly saw the dynamic between them, and her heart broke anew.
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“Pamela,” she said softly. “Come home with me. We can fix this. Make it right.”
For a moment, hope flared in Pamela’s eyes. Then Frank’s hand clamped down on her shoulder.
“We’re not going anywhere,” he said, resolute. “Our life is here now. We have everything we need.”
Pamela’s shoulders slumped. “I’m sorry, Mom,” she whispered. “I can’t.“
Miriam stood there, staring at the strangers her daughter and son-in-law had become. Without another word, she turned and walked out of the room.
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She couldn’t enjoy her vacation after that and changed her plans immediately. But the trip home was a blur.
Miriam moved on autopilot as her mind replayed the confrontation over and over. What should she do? Was faking your death illegal? Was Frank hiding something else?
However, by the time she reached her empty house, she had made a decision. She wouldn’t report them. Not yet.
She’d leave that door open, hoping against hope that Pamela would walk through it one day.
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***
Three years passed.
Miriam tried to move on, but the weight of this secret and the pain of betrayal never truly left her. Then, one rainy afternoon, there was a knock at her door.
Miriam opened it to find Pamela standing on her porch, soaked from the rain, with her arms wrapped around her body and looking utterly lost.
“Mom,” Pamela’s voice cracked. “Can I come in?”
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Miriam hesitated, then stepped aside.
Pamela shuffled in, leaving a trail of water on the hardwood floor. In the harsh light of the entryway, Miriam could see how much her daughter had changed.
The designer clothes and perfectly styled hair were gone, replaced by worn jeans and messy hair. Dark circles shadowed her eyes.
“What happened?” Miriam asked, her tone carefully neutral.
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Pamela sank onto the couch, her shoulders hunched. “It’s all gone,” she whispered. “The money, the house, everything. Frank… he got into some bad investments. Started gambling. I tried to stop him, but…”
She looked up, meeting Miriam’s eyes for the first time. “He left. Took what was left and disappeared. I don’t know where he is.”
Miriam sat down across from her daughter, processing the information.
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Part of her wanted to comfort Pamela, to wrap her in a hug and tell her everything would be okay. But the wounds were still too fresh, the betrayal too deep.
“Why are you here, Pamela?” she asked quietly.
Pamela’s lips trembled. “I didn’t know where else to go. I know I don’t deserve your help, after everything we did. How selfish I was. But I… I miss you, Mom. I’m so sorry. For all of it.”
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Silence stretched between them because Miriam had no idea what to do. This was what she wanted ever since that day in The Bahamas.
So, she studied her daughter’s face, searching for signs of the girl she used to know. After a few moments, Miriam sighed.
“I can’t just forgive and forget, Pamela. What you and Frank did… it was more than just lying. I think you broke the law. Faking your death may not be exactly illegal, but I bet you didn’t pay any taxes on that money. But also, you hurt a lot of people, not just me.”
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Pamela nodded as fresh tears spilled down her cheeks. “I know,” she whispered. “And you’re right. Part of the reason Frank wanted to leave was to avoid paying taxes. Everything else… what he didn’t want to pay back to his family… well, that was just icing.”
“If you want to make this right with me and with everyone else,” Miriam continued, her voice firm, “you need to face the consequences. That means going to the police. Telling them everything. About the faked deaths and everything else you two did with that money. All of it.”
Pamela’s eyes widened in fear. “But… I could go to jail.”
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“Yes,” Miriam agreed. “You could. I don’t want you to, but it’s the only way forward. The only way to truly make amends.”
For a long moment, Pamela sat frozen, sniffling slightly. Then, slowly, she nodded. “Okay,” she said softly. “I’ll do it. Whatever it takes.”
Miriam felt a glimmer of pride break through her anger and hurt. Maybe her daughter wasn’t completely lost after all. Being far away from Frank was definitely a good thing for her.
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“Alright then,” she said, standing up. “Let’s get you into some dry clothes. Then we’ll head down to the station.”
As they walked out to the car a short while later, Pamela hesitated. “Mom?” she asked. “Will you… will you stay with me? While I talk to them?”
Miriam paused, then reached out and squeezed her daughter’s hand, allowing herself to again feel and show all the love she had for her. “Yes,” she said warmly and desperately. “I’ll be there, for sure.”
“Thank you,” Pamela nodding and taking a deep breath. Suddenly, her expression shifted. Her mouth set in a firm line, and determination filled her eyes. “Let’s go.”
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There’s my girl!
Catherine Deneuve: The 60s Icon Who Still Stuns the World With Her Timeless Beauty
It’s been nearly sixty years since 24-year-old Catherine Deneuve and her older sister Françoise Dorléac starred as twins in *The Young Girls of Rochefort*.
The movie, which also featured a young Gene Kelly, was the last film the sisters made together. Deneuve went on to become internationally famous, while Françoise’s life and career were tragically cut short.
Born into an acting family, Deneuve, now 79, made her first appearance in the 1957 French movie *The Twilight Girls*. Her big break came in 1960 when she starred in *The Umbrellas of Cherbourg*, a romantic musical that highlighted her French style and innocence, launching her into stardom. This was just the beginning of many films she would make with director Jacques Demy.
Her talent for dramatic roles caught the eye of legendary director Roman Polanski, who cast her in the psychological thriller *Repulsion*. Deneuve’s brilliant performance as Carol, a mentally troubled woman, earned her the nickname “ice maiden.” This image was solidified in her next film, *Belle de Jour*, where she played a housewife who secretly works as a prostitute—a role that won her awards and global fame.
In 1963, Deneuve became a mother, having a son with French screenwriter Roger Vadim. She later had the chance to star alongside her older sister, Françoise Dorléac, in the 1967 musical *The Young Girls of Rochefort*. The two sisters were very close, and with their similar looks, playing twins in the movie felt natural.
But just three months after *Rochefort* was released, tragedy struck. Françoise, at only 25, died in a car accident, a moment Deneuve describes as the most painful in her life.
“The day I lost my sister, I lost my joy of living… it is the most painful thing I have experienced,” she shared in an interview with *Paris Match*, a French weekly magazine.
The loss of her sister didn’t slow down Catherine Deneuve, who became the epitome of 1960s glamor, often seen as a femme fatale wrapped in Yves Saint Laurent.
Deneuve, known as the face of French cinema, has appeared in over 120 films throughout her 60-year career. Reflecting on how the industry has changed, Deneuve explained, “Human nature is vast. There are roles more suited to people of my generation. As you age, it’s the same in life—you gain experience and play characters you couldn’t when you were 30.” She added, “It’s hard to find the right path. You can age better in Europe than in America. But women today look younger than they did 50 years ago. Back then, a 50-year-old woman looked her age. Now, not so much.”
Despite her worldwide fame, Deneuve has mostly starred in French films, with only a few roles in English-language films.
Catherine Deneuve explained why she mostly supports French cinema, saying, “I feel very French, but I speak Italian and English, so I feel very European. However, I don’t feel close to English people. Even though England is not far, their sensibility and character are very different.” She added, “I feel closer to Spanish or Italian people because the Latin character is different from the Anglo-Saxon one. We have different educations and cultures.”
Some of her English-speaking roles include *The April Fools* with Jack Lemmon (1969), *Hustle* with Burt Reynolds (1973), *March or Die* with Gene Hackman (1977), and the 1983 cult classic *The Hunger*, where she played a lesbian vampire alongside David Bowie and Susan Sarandon.
In 1972, Deneuve divorced British photographer David Bailey, whom she married in 1965 after meeting at a Playboy shoot. Their wedding guests included Mick Jagger. From 1970 to 1974, she was in a relationship with Italian film icon Marcello Mastroianni, with whom she had a daughter in 1972.
In 1980, Catherine Deneuve delivered an award-nominated performance in *The Last Metro*, starring alongside another famous French actor, Gérard Depardieu. This marked the beginning of a successful collaboration, as they would appear in 15 films together.
Deneuve mentioned that she and Depardieu have similar work styles, saying, “We are both instinctive actors. We prefer to arrive on set and figure things out in the moment rather than rehearse ahead of time.”
In the 1990s, Deneuve received an Oscar nomination and a César Award (France’s national film award) for her role in the French period drama *Indochine*. The film, released in 1992, also won an Oscar for Best Foreign Language Film.
The 2000s introduced Catherine Deneuve to new roles, including the award-winning musical drama *Dancer in the Dark*, where she starred alongside the unique Icelandic singer Björk. In 2010, she reunited with Gérard Depardieu for the eighth time in the film *Potiche*.
After appearing in the 2019 film *The Truth* with Ethan Hawke and Juliette Binoche, Deneuve was filming the French movie *Peaceful* when she was hospitalized due to a stroke. Although her family described it as a “very limited” ischemic stroke, production on the film was delayed until July 2020, when the then 76-year-old actress was able to return. Deneuve, who had smoked since she was 16, finally quit after her month-long hospital stay.
Honored with a lifetime achievement award at the 2022 Venice Film Festival, the French icon, who celebrates her 80th birthday this year, continues to thrive, and we look forward to seeing her in many more films!
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