The world first fell in love with the endearing Mara Wilson in the early 1990s. She was a child actor best remembered for her roles as the bright young girl in beloved family films like Miracle on 34th Street and Mrs. Doubtfire.
The rising actress, who turned 37 on July 24, looked like she was ready for big things, but as she got older, she lost her “cute” factor and vanished from the big screen.
She continues, “If you’re not cute anymore, if you’re not beautiful, then you are worthless. Hollywood was burned out on me.”
To find out what happened to Wilson, continue reading!
When five-year-old Mara Wilson played Robin Williams’ youngest kid in Mrs. Doubtfire in 1993, she won over millions of fans’ hearts.
When the California native was invited to feature in one of the highest-grossing comedies in Hollywood history, she had already made appearances in advertisements.
“My parents grounded me even though they were proud of me.” My mother would always tell me that I’m just an actor if I ever stated something like, “I’m the greatest!” Wilson, who is now 37, remarked, “You’re just a kid.”
Following her big screen premiere, she was cast in 1994’s Miracle on 34th Street as Susan Walker, the same character Natalie Wood had performed in 1947.
Wilson describes her audition as follows: “I read my lines for the production team and told them I didn’t believe in Santa Claus” in an essay for the Guardian. “But I did believe in the tooth fairy and had named mine after Sally Field,” she writes, referring to the Oscar-winning performer who portrayed her mother in Mrs. Doubtfire.
“Very unhappy”
Next, Wilson starred with Danny DeVito and his real-life wife Rhea Perlman in the 1996 film Matilda as the magical girl.
Additionally, Suzie, her mother, lost her fight against breast cancer in that same year.
“I wasn’t really sure of my identity.I was two different people before and after that. Regarding her profound grief following her mother’s passing, Wilson explains, “She was like this omnipresent thing in my life.””I found it kind of overwhelming,” she continues. I mostly just wanted to be a typical child, especially in the wake of my mother’s passing.
The young girl claims that she was “the most unhappy” and that she was fatigued when she became “very famous.”
She reluctantly took on her final significant role in the 2000 fantasy adventure movie Thomas and the Magic Railroad at the age of 11. “The characters had too little age. I reacted viscerally to [the] writing at 11 years old.I thought, ugh. I love it, she says to the Guardian.
“Destroyed”
Her decision to leave Hollywood wasn’t the only one, though.
Wilson was going through puberty and growing out of the “cute” position as a young teenager, so the roles weren’t coming in for him.
“Just another weird, nerdy, loud girl with bad hair and teeth, whose bra strap was always showing,” was how she was described.
“When I was thirteen, no one had complimented me on my appearance or called me cute—at least not in a flattering way.”
Wilson had to cope with the demands of celebrity and the difficulties of becoming an adult in the public glare. It had a great influence on her, her shifting image.
“I had this Hollywood notion that you are worthless if you are not attractive or cute anymore. Because I connected that directly to my career’s downfall. Rejection still hurts, even if I was kind of burned out on it and Hollywood was burned out on me.
Mara in the role of author
Wilson wrote her first book, “Where Am I Now?,” before becoming a writer. “Ancidental Fame and True Tales of Childhood,” published in 2016.
The book explores “her journey from accidental fame to relative (but happy) obscurity, covering everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood.”
In addition, she penned the memoir “Good Girls Don’t,” which explores her experiences living up to expectations as a young performer.
In her Guardian column, she states, “Being cute just made me miserable.” It was always my expectation that I would give up acting, not the other way around.
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I Planned to Reclaim My Father’s Inheritance That Was Left to a Stranger Until a Family Secret Changed Everything — Story of the Day
I thought my father’s will would secure my future. Then the lawyer read a name I didn’t recognize. My grandmother’s fury was immediate. Who was Brenna, and why did my father leave her everything? And what secret was behind it?
My life used to always be governed by rules. Every morning, a strict voice echoed through the house.
“Sit up straight, Mona. Don’t slouch. A lady always keeps her composure.”
That was Loretta—my grandmother, my guardian, my shadow. After my mother died, she took over, raising me in her grand image.
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Everything had to be perfect. My grades, my posture, and even the way I folded napkins. It was exhausting, but I tried. I always tried.
When my father passed away, Loretta quickly turned her focus to what mattered most to her. Control. But I remember the day my life changed. We were sitting in the lawyer’s office.
“You’ll invest the money wisely, Mona,” she had said that morning, already outlining how we would rebuild the family’s legacy. “Your father worked hard for this.”
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I believed her. For years, Loretta’s confidence had been unshakable, her plans infallible. So, as we sat in that cold office with its stale coffee, I felt sure of my future.
“As per your father’s wishes,” he lawyer, glancing at the will, “his estate and money will go to Brenna.”
“Who!?” The word escaped my lips before I could stop it.
The lawyer paused. “Brenna is your father’s other daughter.”
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“Sister? I… I have a sister?”
“Impossible!” Loretta’s sharp voice ricocheted off the walls. “This must be a mistake! My son couldn’t leave everything to some stranger!”
“It’s no mistake, ma’am,” the lawyer said. “Your son provided clear instructions. Brenna inherits the house, accounts, and stocks.”
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“What?” Loretta’s voice rose to a shrill pitch. “You’re telling me that child, someone we don’t even know, takes it all?”
I barely heard them. A sister. A sister I never knew existed. Loretta’s hand gripped mine, pulling me back.
“We’ll fix this, Mona. We’ll find this Brenna and make sure she does what’s right.”
Her words felt suffocating, but I nodded. Defying Loretta had never been an option.
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***
In a few days, I arrived at Brenna’s house due to Grandma’s instructions. The small house leaned slightly to one side, its peeling paint flaking like sunburned skin.
The front door creaked open before I even knocked, and Brenna stood there, smiling wide. Her arms hung loosely at her sides, her fingers twisting together in a rhythm that seemed more instinct than thought.
“Hi!” she said, her voice bright, almost musical. “I saw you coming. Did you park by the mailbox? It’s wobbly. I keep meaning to fix it, but…”
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She trailed off, her eyes darting to the corner of the doorframe. She tapped it three times with her knuckles.
“Uh, yeah,” I replied awkwardly. “I’m Mona. Your sister.”
“Come in!” she interrupted, stepping aside but not making eye contact. “Watch the floorboard near the kitchen. It squeaks.”
Inside, the house smelled faintly of clay and earth. The narrow hallway opened into a kitchen dominated by a long workbench covered in half-finished pottery pieces, jars of paint, and tools I didn’t recognize.
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Brenna rearranged a set of mismatched vases on the windowsill three times, muttering under her breath before nodding in satisfaction.
Then she turned back to me, her smile returning as if nothing had happened. “You’re my sister.”
“Yes,” I said slowly, unsure how to navigate her openness. “Our father… He passed away recently.”
Her smile didn’t falter. “What’s it like? Having a dad?”
“It’s… hard to say. He was kind. He cared. We were friends.”
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She nodded, her fingers twitching against her thighs. “I never met him. But I have his hands.” She held up her palms, showing faint traces of clay. “Mom always said so. Big hands, like him.”
Her sincerity was disarming. I’d expected resentment or at least suspicion, but instead, she radiated a quiet acceptance.
“Dad left me a gift,” Brenna said.
“A gift?” I repeated. “That’s… nice.”
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“Yes. He called it that. In the letter from the lawyer. Did he leave you a gift too?”
I hesitated, Loretta’s biting words ringing in my ears. “Not really. He didn’t…”
“That’s strange. Everyone should get a gift.”
I smiled. “Maybe.”
“You should stay for a week,” Brenna said smiling. “You can tell me about him. What he was like. What he liked to eat. What his voice sounded like.”
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“A week?” I asked, startled. “I don’t know if…”
“In return,” she interrupted, “I’ll share the gift. It’s only fair.” Her hands were twisting together as she waited for my response.
“I don’t know if I have much to say about him,” I said, though even as the words left my mouth, I felt the pang of their untruth. “But… okay. A week.”
Her face lit up. “Good. We can have pancakes. Only if you like them, though.”
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She turned back to her workbench, humming softly. I knew what her so-called “gift” was. At that moment, Loretta’s plan seemed simple. Too simple. But Brenna’s kindness was already complicating everything.
***
That week at Brenna’s house, I felt like stepping into a parallel universe, one where the world spun slower and expectations melted away. Everything about her life was so unlike mine.
Breakfast was no longer a croissant from the corner bakery paired with a sleek latte. Instead, it was simple—bacon, eggs, and a mug of tea served on paper plates.
“Easier this way,” Brenna said one morning. “No big cleanup. Time saved is time for pottery.”
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She had a way of saying things so directly, without the filters most people wore. It was disarming.
But her habit of setting and resetting the plates on the porch rail, always ensuring they were aligned right, made me watch her closely. Each ritual told a story.
“Let’s walk to the lake,” she suggested after breakfast on my second morning.
She slipped out of her sandals, leaving them neatly by the porch steps, and stepped into the grass barefoot.
“It’s better like this.”
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Dew clung to the grass, cold and sharp against my feet, as I followed her. She led the way, occasionally pausing to touch the leaves or to rearrange a small pile of stones along the path.
Those small, deliberate actions seemed to calm her like they were as necessary as breathing.
At the lake, she crouched by the edge, dipping her fingers into the water. “You ever just sit and listen?”
“To what?” I asked, standing stiffly behind her.
“Everything.”
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Brenna’s studio became the heart of our days. The air inside smelled earthy and damp, the scent of clay and creativity.
She handed me a lump of clay on the third day. “Here. Try making something.”
My first attempt was a disaster. The clay slid through my fingers, collapsing into a shapeless blob.
“It’s terrible,” I groaned, ready to throw it aside.
“It’s not terrible,” Brenna’s hands moved gently as she began reshaping the clay, showing me the motions. “It’s just new. New things take time.”
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Her patience amazed me. Even when I spilled water on her workbench, smearing one of her finished pieces, she didn’t scold me. Instead, she carefully cleaned the mess.
Just as I started to relax, finally free from Loretta’s constant control, her calls became more frequent. It was as if she could sense the shift in me, the way I was beginning to breathe a little easier and live a little differently.
That night, her voice came through the line sharp. “Mona, what are you waiting for? This isn’t a vacation! You need to take action. She doesn’t know what to do with that kind of money.”
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I stayed silent, but my grip on the phone tightened. I could feel her impatience boiling over.
“She’s naïve, Mona. You need to convince her to sign it over. If persuasion doesn’t work, then… Well, figure something out. Use her trust if you have to.”
Her words stung because they felt so wrong in Brenna’s world.
“I don’t know, Grandma. It’s not as simple as you think.”
“It’s exactly that simple,” she barked back. “Don’t get distracted by her little quirks. Focus, Mona.”
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I wanted to argue, to tell her that maybe Brenna deserved more than she realized, but the words wouldn’t come. Instead, I mumbled something vague and ended the call. For the first time in my life, I started questioning my own motives.
***
The following day, Loretta arrived unannounced, her sharp presence tearing through the peace like a storm. Her heels clicked on the uneven floor as she stepped into the house.
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“This is where you’ve been hiding?” she snapped, her eyes darting over Brenna’s neatly cluttered pottery studio. “How can you stand this mess, Mona? And you,” she turned to Brenna, “you have no right to what’s been given to you.”
Brenna froze, her hands trembling as she rearranged vases on the workbench, muttering, “Gift, gift,” under her breath.
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Loretta ignored her, turning to me. “Mona, end this nonsense. She doesn’t deserve your father’s legacy. She’s…” Loretta’s voice grew venomous, “not like us.”
“Gift,” Brenna said louder, pointing toward a small cabinet in the corner. Her rocking grew more pronounced, her fingers twisting at her apron.
I hesitated but opened the cabinet. Inside was a stack of old letters, their edges worn and faded. Each one was addressed to my father. My breath caught.
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“What are those?” Loretta demanded.
“These are from Brenna’s mother,” I said, flipping through them. “Did you know?”
Loretta paled, but then her face hardened. “I did what I had to! Do you think I’d let some woman trap my son with a broken child? When she came looking for him, I told her to stay away. I refused to let her and her daughter become part of this family.”
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Her words were cruel, and Brenna clung to the table, her wide eyes fixed on Loretta.
“You destroyed this family,” I said, my voice trembling. “You never even told him he had another daughter.”
Loretta’s bitter laugh filled the room. “He found out! That’s why he changed his will. And now you’re letting her take everything!”
“Dad left a gift,” Brenna said softly. “He wanted me to have it.”
“This isn’t about money, Grandma. And I won’t let you take anything else from her.”
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Loretta stormed out, slamming the door behind her.
I turned to Brenna. “I’m so sorry. I love you, sis.”
“Do you want pancakes?” she suddenly asked as if nothing happened.
“Oh, I really do!”
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We ate on the porch as the sun dipped low, painting the sky in soft hues. From that day, we started building a life together.
I helped Brenna grow her pottery studio. We repaired the house, filled it with flowers, and I rediscovered my love for painting by decorating her creations.
Word spread, and soon people came from other towns to buy our work. Life wasn’t perfect, but it was ours. For the first time, I wasn’t living to meet someone else’s expectations. I was living for us—Brenna and me.
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