The American soap opera “Dynasty” captured audiences worldwide in the 1980s, drawing viewers in with its compelling drama and complex relationships among characters like Blake Carrington, his wife Krystle Carrington, their children, and Blake’s ex-wife Alexis. The saga of the affluent Carrington family kept thousands glued to their screens, making the actors of “Dynasty” household names. Even today, many cherish the memories of this iconic series.
“Dynasty” was groundbreaking for its era, featuring intense power struggles, romantic conflicts, and sibling rivalries. The 1980s, characterized by bold colors, glamour, and extravagant hairstyles, provided the perfect backdrop for this opulent series.
At the heart of its success were the unforgettable performances of the cast, particularly Linda Evans and Joan Collins, who portrayed the fierce rivalry between Krystle and Alexis. Linda Evans embodied Krystle Grant Jennings Carrington, a character often seen as the heart of the show. Having started from the series’ inception, Evans received a Golden Globe Award for Best Actress in a Drama Series in 1982 for her role.
Reflecting on her journey, Evans once said: “That role was the answer to a prayer. I had just separated from my second husband and was uncertain about my future. I had never aimed to be an actress; I wanted to be a wife and mother. But at 39, I decided to pursue my career, and soon after, ‘Dynasty’ came along”.
Evans found a kindred spirit in Krystle, who sought love over wealth, embodying the same desires Evans had in her own life. Before her fame on “Dynasty”, Evans had already made a name for herself as “Audra” in the 1960s western series “The Big Valley” alongside Barbara Stanwyck.
After the series wrapped, Evans faced personal challenges, including depression following the illness of loved ones. In a 2016 interview, she described this period: “My life was in pieces. I struggled to understand my depression, and my health suffered”.
Although she stepped away from acting after 1997, Evans made a notable return in the 2021 film “Swan Song”. “I’m in love with this movie”, she shared. “It’s remarkable to be working at 78, but as I say: ‘Anything is possible’.”
Now at 81, Evans continues to inspire fans, reminding us of the enduring legacy of “Dynasty” and its beloved characters.
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
In the early 1990s, the world fell in love with the adorable Mara Wilson, the child actor known for playing the precocious little girl in family classics like Mrs. Doubtfire and Miracle on 34th Street.
The young star, who turned 37 on July 24, seemed poised for success but as she grew older, she stopped being “cute” and disappeared from the big screen.
“Hollywood was burned out on me,” she says, adding that “if you’re not cute anymore, if you’re not beautiful, then you are worthless.
In 1993, five-year-old Mara Wilson stole the hearts of millions of fans when she starred as Robin Williams’ youngest child in Mrs. Doubtfire.
The California-born star had previously appeared in commercials when she received the invitation to star in one of the biggest-grossing comedies in Hollywood history.
“My parents were proud, but they kept me grounded. If I ever said something like, ‘I’m the greatest!’ my mother would remind me, ‘You’re just an actor. You’re just a kid,’” Wilson, now 37, said.
After her big screen debut, she won the role of Susan Walker – the same role played by Natalie Wood in 1947 – in 1994’s Miracle on 34th Street.
In an essay for the Guardian, Wilson writes of her audition, “I read my lines for the production team and told them I didn’t believe in Santa Claus.” Referencing the Oscar-winning actor who played her mom in Mrs. Doubtfire, she continues, “but I did believe in the tooth fairy and had named mine after Sally Field.”
‘Most unhappy’
Next, Wilson played the magical girl in 1996’s Matilda, starring alongside Danny DeVito and his real-life wife Rhea Perlman.
It was also the same year her mother, Suzie, lost her battle with breast cancer.
“I didn’t really know who I was…There was who I was before that, and who I was after that. She was like this omnipresent thing in my life,” Wilson says of the deep grief she experienced after losing her mother. She adds, “I found it kind of overwhelming. Most of the time, I just wanted to be a normal kid, especially after my mother died.”
The young girl was exhausted and when she was “very famous,” she says she “was the most unhappy.”
When she was 11, she begrudgingly played her last major role in the 2000 fantasy adventure film Thomas and the Magic Railroad. “The characters were too young. At 11, I had a visceral reaction to [the] script…Ugh, I thought. How cute,” she tells the Guardian.
‘Burned out’
But her exit from Hollywood wasn’t only her decision.
As a young teenager, the roles weren’t coming in for Wilson, who was going through puberty and outgrowing the “cute.”
She was “just another weird, nerdy, loud girl with bad teeth and bad hair, whose bra strap was always showing.”
“At 13, no one had called me cute or mentioned the way I looked in years, at least not in a positive way,” she says.
Wilson was forced to deal with the pressures of fame and the challenges of transitioning to adulthood in the public eye. Her changing image had a profound effect on her.
“I had this Hollywood idea that if you’re not cute anymore, if you’re not beautiful, then you are worthless. Because I directly tied that to the demise of my career. Even though I was sort of burned out on it, and Hollywood was burned out on me, it still doesn’t feel good to be rejected.”
Mara as the writer
Wilson, now a writer, authored her first book “Where Am I Now? True Stories of Girlhood and Accidental Fame,” in 2016.
The book discusses “everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood, these essays chart her journey from accidental fame to relative (but happy) obscurity.”
She also wrote “Good Girls Don’t” a memoir that examines her life as a child actor living up to expectations.
“Being cute just made me miserable,” she writes in her essay for the Guardian. “I had always thought it would be me giving up acting, not the other way around.”
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