Amber, 24, is obsessed with tattoos and has covered her whole body in ink

One of the biggest benefits of being an adult is that you can do whatever you want (of course, as long as you are within the boundaries of the law). You can wear whatever you desire and look however you please.

Amber Luke is a girl that took her individuality to the next level, without caring one bit about what others think of her.

This Australian 24-year-old aims to cover her entire body with tattoos before turning 25. And now she is one step closer to her goal – as she has covered her breasts with ink, reports the Daily Star.

Ambs_luke/Instagram

Amber’s journey to cover herself with tattoos started when she was 16. Her fascination with ink was something that would change her entire life.

Over the years, Amber has got tattoos all over her body.

She has really done everything in her power to get as much ink in her as possible. She has covered most of her body with tattoos.

Ambs_luke/Instagram

It has not been a smooth process, last year when she tattooed her eyes, things almost ended terribly.

“Unfortunately, my artist went too deep into my eyeball. I was blind for three weeks. That was pretty brutal”.

The alternative model has also opened up about the fact that she has been struggling with mental illness. She is currently training to be a counsellor – she hope she can help others with similar problems in the future.

Ambs_luke/Instagram

“Society is so full of hatred and invalid opinions of you and what you look like… You wouldn’t bother to ask what I do with my life – I’m studying a diploma of counselling just to be able to assist people’s mental illnesses,” Amber told Daily Star.

Ambs_luke/Instagram

Now on her breasts

The latest step in Amber’s quest to be completely covered in tattoos was doing it on her breasts.

“Completed tiddies,” Amber wrote to her 64,600 Instagram followers while proudly displaying the result.

Ambs_luke/Instagram

Amber Luke before pictures

Next in her list are her thighs. But Amber is already thinking of tattooing her entire left arm black.

But of course, Amber has not always been covered in ink.

Ambs_luke/Instagram

Just a few days ago, she shared a photo from her past life that revealed how she looked like a blonde.

The picture, taken 5 years ago, really shows what an incredible transformation she has undergone!

Ambs_luke/Instagram

”5 years difference. Let me tell you something… at 20 years old I got a ‘floating neck’ tattoo. I had no facial or hand or chest tattoos. Just a big throat piece. I was given so much shit and hate for my actions. I decided at 20 to say ‘fuck ya’ll, I’m getting what I want too’ and I went for it,” she wrote.

Here at Newsner, we don’t just write about heartwarming and trending stories. We also follow people who live their lives differently, and it is our opinion that everyone deserves the same respect no matter how they choose to live their lives!

Jim Caviezel Takes a Stand: Refuses to Work with Robert De Niro

Unexpectedly, Jim Caviezel, an actor, made news when he openly declared that he would never collaborate with Oscar winner Robert De Niro. Widely known for his performance as Jesus Christ in Mel Gibson’s “The Passion of the Christ,” Caviezel has called De Niro a “wretched, ungodly man.” This audacious claim has spurred a spirited discussion over the viability of personal convictions and business partnerships in Hollywood.

Devoted to Christianity and renowned for his unshakable adherence to moral values, Caviezel has been transparent about his religious beliefs. These ingrained convictions have informed his choice to keep his distance from Robert De Niro. Although Caviezel did not elaborate on their falling out, it is obvious that his decision is the result of a disagreement with his values. The actor feels that there is a difference between De Niro’s public persona and his previous actions, and he wants to work on projects that are consistent with his own moral principles.

This incident calls into question how performers manage their own convictions in the politically charged and cooperative world of Hollywood. While diversity of thought and expression has always been respected in the profession, there are increasingly more examples of actors setting boundaries based on personal principles. Caviezel’s reluctance to collaborate with De Niro is indicative of a shifting society in which people are more willing to stand by their values, even if doing so puts them in danger of losing their jobs.

The entertainment business has seen firsthand how an actor’s public remarks may help or hurt their career. Although Caviezel’s refusal to work with De Niro might win him over to supporters who share his values and respect his dedication to his convictions, it also raises questions about possible negative effects on his future partnerships and how business people view him. Some people would proceed cautiously with such public pronouncements, and it’s still unclear how this incident will affect Caviezel’s professional path.

One of the key characteristics of Caviezel’s public presence has been his strong Christian faith. He gained notoriety as an actor willing to take on parts that align with his spiritual beliefs because to his depiction of Jesus Christ in “The Passion of the Christ.” The argument with De Niro highlights the difficulties actors encounter in trying to uphold their morality in a field notorious for its complexity and moral ambiguities.

Beyond the specific performers engaged, consideration of the larger ramifications for Hollywood and the entertainment business at large is prompted by Caviezel’s refusal to collaborate with De Niro. The continuous conflict between individual convictions and the collective process of filmmaking is brought to light by this incident. There may be a change in the dynamics of the industry if more actors choose to use their platforms to voice their ideals and stand up for causes that are important to them.

The topic of how personal beliefs and professional obligations intersect in Hollywood has gained attention as a result of Jim Caviezel’s resolute refusal to work with Robert De Niro on moral reasons. The narrow line that separates personal ethics from the communal spirit that characterizes filmmaking is brought to light by this incident. The conflict between Caviezel and De Niro highlights the difficulties and complications experienced by performers who work hard to be true to their values as the entertainment business strives to negotiate these intricacies.

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