Most middle schoolers probably have other things on their minds besides building houses.
But Luke Thill, a 13-year-old from Dubuque, Iowa, is unlike any other middle schooler you’ve seen before.
This talented and proactive boy has crafted his very own little house — in his parent’s backyard.
The project cost him roughly $1,500 USD — and now Luke is living his dream in his little cottage.
Come on in and have a look at what it looks like inside.
I think it’s safe to say that Luke is not like many of his 13-year-old peers. In a time of iPads, smartphones, gadgets, and X-Boxes, this young man decided to keep himself busy in a different and more ‘old-fashioned’ way. As he explains on his YouTube channel, his desire to build a small house grew out of feeling bored last summer.
After some thorough research, Luke had a pretty good idea of how he was going to put his plan into action.
The Process
It took him about a year to get the money and materials he needed to build the house. Luke mowed lawns, started a fund-raiser online, and ran errands for anyone who needed help in the neighborhood to make money.
An electrician Luke was friends with helped him install the electricity in exchange for Luke cleaning his garage out, for instance.
Luke used about 75 percent recycled material, many of which were things left over from his grandma’s house. The front door of the house was a gift from an uncle’s friend.
The 89-square-foot house is 10 feet long and 5 1/2 feet wide, with electricity but no plumbing, so no water or bathroom… yet.
“I liked the minimalism,” he told The Des Moines Register. “And I wanted to have a house without a huge mortgage.”
Luke has made several video clips and posted them online, where he talks about his project as many have grown curious about the little house.
As you can imagine, Luke also received some help from his parents, both financially and with the building itself.
But dad Greg made sure that it would be Luke himself who would pay for most of his project and also build most of it himself.
“It was a chance for a kid to do something more than play video games or sports,” Greg told The Des Moines Register. “It teaches life lessons.”
Teenager’s Dream
The house is in many ways a teenager’s dream, an oasis where you can chill and hang out in. It has a microwave, a TV, and a loft with a bed.
There’s even a barbecue and flowers at the back.
Luke usually does his homework after school at his new house and some nights during the week he gets to sleep there.
Luke already has aspirations to build another house — one that’s a little bigger for when he starts college. He also hopes to inspire others to follow their dreams:
“I want to show kids it’s possible to build at this age,” he says in one of his videos.
You can really see how proud he is about his project below.
Luke’s story is a great example of what a child can achieve with a clear goal, a strong worth ethic, and support from home.
Gary Burghoff AKA Radar from ‘M*A*S*H’ Always Kept His Left Hand Out of View – Five Times We Could See It
The hit 1972 sitcom “M*A*S*H” introduced the world to a number of memorable and beloved characters, from the smart-mouthed yet compassionate Captain Benjamin Franklin “Hawkeye” Pierce to his endearing friend, Captain B.J. Hunnicutt. Almost every character had stuck in the minds of the fans.
One of the characters that often featured but was easily overlooked by his military counterparts due to his nervous nature was the 4077 MASH unit’s company clerk, Corporal Walter Eugene “Radar” O’Reilly. Although many of the staff on the base tended to take Radar’s effort for granted, the fans sure noticed him.
Radar was portrayed by the acclaimed actor Gary Burghoff from the start of the TV show in 1972 until the seventh season, which aired in 1979. Although fans clamored for more of the unassuming clerk, Burghoff revealed that he needed to step away from the show to rekindle his personal relationships and fight burnout.
“M*A*S*H’s” Influence and Burghoff’s Personal Identity
Although Burghoff enjoyed playing Radar, the role became increasingly demanding. The actor commented that it became difficult to separate himself from his character in the eyes of the public, which soon became tedious. He also noted that he despised being fawned over by the crowds:
“Aw, I know I’m cute. Cute, cute, CUTE! I was always cute because I was always the smallest kid on the block. I hate cute.”
Everyone saw Burghoff as an adorable, short, timid character as they’d known him on-screen and on the stage for many years. However, after years of being looked down upon, both metaphorically and physically speaking, Burghoff grew tired of the persona so easily attributed to him by scores of people he had never even met.
The actor lashed out against this view of him as a cute little fellow by defending his height. As he so rightly pointed out, 5 feet 6 inches isn’t irregularly short, and he would have seen the tops of Arte Johnson or Mickey Rooney’s heads had they ever met. Nonetheless, the persona stuck.
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor.
Despite his misgivings about how others perceived him, Burghoff’s fellow cast members adored him. The director Charles Dubin recalled working with Burghoff before he left “M*A*S*H,” noting how caring and pleasant Burghoff was to everyone on set. However, Burghoff had another aspect of himself that drove down his self-esteem.
Burghoff had been born with a congenital disability called Brachydactyly, a form of Poland Syndrome. The condition left the actor with three fingers on his left hand that were noticeably smaller than the rest of his digits, and the abnormality had plagued him since he was a small child. The actor commented:
“Of course, this defect affected me while I was growing up. I suppose when I was very young, I knew my disability would set me apart and make me special.”
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor. Yet, becoming a fan-favorite on one of the most iconic TV shows America had ever produced never managed to quell his insecurities about his stout fingers and stocky frame.
Throughout his run on “M*A*S*H,” Burghoff tried to hide his left hand from the camera. He would often position himself so that the camera could only see one side of his body and usually gestured with his right if the scene required it, although the actor would be obligated to use both hands now and again.
In one of the earliest episodes, viewers were introduced to Radar as he stood in an open area, wearing a greyish shirt and his trademark cap. As the actor turned around and looked at the sky — once again hearing approaching helicopters before everyone else — the camera briefly panned over both his hands holding a football.
When Colonel Sherman T. Potter first made his appearance on the show, taking over from the beloved Lieutenant Colonel Henry Blake, Radar and the new commander shared a scene where they first met. As Colonel Potter exited the room to find the latrines, the camera centered on Burghoff’s upper body as he opened a box with both hands.
Another infamous scene caught Burghoff with both hands on camera. During a regular morning salute, with the loathsome Major Frank Burns leading the ceremony, Radar does his usual morning salute with a bugle. In a hilarious twist, one of the men fires off the ceremonial canon at Burns’s behest.
Naturally, Radar gets the short end of the stick as the cannonball flies directly at him, knocking his instrument clean out of his hands. In the next few seconds, Burghoff turns toward the camera in a pantomime of rage, balling his fists and stomping in outrage. Here, both his hands can be seen for a brief second.
In one of the later episodes, the writers showed off Radar’s softer side when he cuddled his pet guinea pig, Babette. Naturally, Radar stood with his left hand beneath his right, but just as he started to sing, Father John Mulcahy called for him. Burghoff’s hands were visible again as he put the Babette away.
One of the scenes where Burghoff openly showed his left hand came as part of another gag the show pulled. At the start of the scene, Radar could be seen walking across a dirt road while two other military personnel walked away from the camera. The man on Radar’s right first lifted his hand in salute, followed shortly by one on the left.
Radar, the pleasant character he was, lifted his right hand in response to the first salute, as military etiquette dictates. Caught off guard by the quick second salute, Radar lifted his left hand as well, essentially performing a double salute. Feeling sheepish, he frowned and lowered his hands slowly in one of Burghoff’s classic displays of confusion.
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