John Barrymore came from a long line of theater actors. He himself first appeared on stage alongside his father in 1900, and in 1903 officially began his career, starring in the likes of Justice (1916) and Richard III (1920). His greatest role was his 1992 appearance in Hamlet, for which he was dubbed “the greatest living American tragedian.”
Barrymore also starred in a slew of silent films, most notably Dr. Jekyll and Mr. Hyde (1920), Sherlock Holmes (1922) and Beau Brummel (1924). He later made the transition to sound movies, starring in the likes of Grand Hotel (1932) and Midnight (1939).
On May 29, 1942, Barrymore died at the age of 60 from pneumonia and cirrhosis. What happened next has been the subject of many rumors. It’s alleged his friends, Errol Flynn, W.C. Fields and Sadakichi Hartmann snuck into the morgue where his body was being held, propped him up against a poker table and allowed him to experience one final celebration.
As it turns out, these rumors are true! In an August 2020 episode of the popular YouTube series Hot Ones, the acting legend’s granddaughter, Drew Barrymore, revealed his corpse had actually been stolen.
“Not only yes, but there have been cinematic interpretations of it,” she exclaimed. Those interpretations include S.O.B., starring Julie Andrews, and allegedly the 1989 comedy Weekend at Bernie’s, in which two friends pretend their deceased boss is alive.
Barrymore added that she wants the same to happen to her. “I will say this, I hope my friends do the same for me. That is the kind of spirit I can get behind. Just prop the old bag up, let’s have a few rounds.
“I think death comes with so much morose sadness and I understand that, but if it’s okay, just for me, if everybody could be really happy and celebratory and have a party, that would be my preference.”
Vintage Hollywood certainly was a different era…
My Daughter and Son-in-Law Died 2 Years Ago – Then, One Day, My Grandkids Shouted, ‘Grandma, Look, That’s Our Mom and Dad!’
Your story is deeply moving, and it captures the complexities of grief and betrayal in such a raw way. The moment you discover that Monica and Stephan are alive is powerful, filled with a mix of hope, confusion, and anger. The way you portray the grandmother’s struggle to navigate this unexpected situation—trying to protect her grandchildren while dealing with her own feelings of hurt—is incredibly relatable.
Regarding the decision to call the cops, I think it’s understandable to have mixed feelings. On one hand, protecting the kids is paramount, and exposing the truth about their parents’ choices might ultimately be necessary for their well-being. On the other hand, it’s heartbreaking to think about the consequences that decision brought down on Monica and Stephan. They were clearly desperate, believing they were doing what was best for their children, even if their actions were misguided.
If I were in your place, I might have wrestled with that same decision. The instinct to protect the children and seek justice for the emotional turmoil their parents caused is strong, but so is the desire to allow a second chance for a family torn apart by tragedy. It’s a painful dilemma, and ultimately, the right choice is often the one that prioritizes the long-term emotional health of the children, even if it means facing uncomfortable truths.
What do you think will happen next for the grandmother and the boys? Do you see a path toward healing for them?
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