Deep within the animal realm, among the verdant forests and huge savannas, lives a unique species that goes by the name of elephant. Scientists and environmentalists have long been fascinated by these gentle giants. After years of intensive study and close observation, we now know that elephants have a profound emotional range and a grieving process that is remarkably comparable to our own.
George Wittemyer is a committed conservation biologist from Colorado State University who has spent a large amount of his professional life researching elephants. He once gave National Geographic a glimpse into his observations, illuminating the complex and mysterious mechanisms by which these majestic creatures deal with the death of a fellow herd member.
“Elephants have respect for their dead,” Wittemyer stated, “but their interaction with their dead is not something we fully understand.” Researchers have been intrigued by this mysterious part of their behaviour, which shows that when these animals experience the loss of one of their own, they react from deep-seated emotions.
Recently, Twitter user Parveen Kaswan released a video that revealed this fascinating discovery, underscoring the depth of elephants’ emotional intelligence and their distinct grieving process. The film shows a scenario on a peaceful road where all of the traffic has stopped and people are staring at an incredible sight.
A magnificent herd of elephants is crossing the street with a grace that is appropriate for their size and harmony. One elephant in particular sticks out in the parade, softly holding something in its trunk. Viewers, intrigued, quickly discover that the elephant is bearing a young, dead elephant calf, which is inert.
The herd stops quite solemnly, and the elephant carrying the small load carefully lays the dead calf on the ground. The others assemble around, creating a circle of respect. This scenario is quite moving; it conveys a sense of shared sadness and mourning.
The title of the video, as Parveen Kaswan so eloquently put it, “The family just don’t want to leave the baby.” Their behaviour is reminiscent of the solemn cortege of a deceased person.
The elephants continue to amaze and astound researchers and viewers alike with their level of emotional depth as they exhibit an instinctive reverence for the deceased and an understanding of the great grief they have experienced.
As they go on their trek, a second elephant comes up and tenderly cradles the dead calf in its trunk. Elephant herds are emotionally connected to one another, and this display of deep grieving and solidarity emphasises how capable elephants are of feeling loss and sadness.
This will move you !! Funeral procession of the weeping elephants carrying dead body of the child elephant. The family just don’t want to leave the baby.
The film serves as a moving reminder of the extraordinarily emotional lives that elephants lead and is evidence of the strong bonds that exist among animals. It’s a tale that connects our worlds and serves as a moving reminder of the intricacy and beauty of nature. Please spread the word about this post on Facebook to your loved ones so that others can also be moved by the moving scenes shown in the film.
In the 1980s, this beautiful woman was on her way to becoming a Hollywood star
In a timeless romance, Naval Officer Zack Mayo swept factory worker Paula off her feet, whisking her away from the mundane confines of her workplace. Debra Winger’s portrayal was the envy of fans worldwide, setting a standard for romantic tales in the iconic film “An Officer and a Gentleman”. Richard Gere’s depiction of Officer Zack Mayo, the dashing naval hero clad in his crisp blues, captured hearts across the globe.
Winger, now 69, retains her enduring beauty that first captivated audiences alongside Hollywood’s leading men. Recently, she’s shared glimpses of herself on social media, her once brown locks now naturally curly and silver. Winger’s career ignited with her debut in the 1976 film “Slumber Party ’57”, leading to a memorable role as Drusilla in the hit TV series “Wonder Woman” (1979), where she portrayed the spirited younger sister to Lynda Carter’s Diana Prince.
Despite early success, Winger bravely turned down further commitments on “Wonder Woman” to avoid typecasting, a decision that proved pivotal. Throughout the early 1980s, she garnered acclaim with Oscar and Golden Globe nominations for her roles in iconic films like “Urban Cowboy” (1980) alongside John Travolta, “An Officer and a Gentleman” (1982) as Paula, and “Terms of Endearment” (1983) as Emma, a poignant portrayal of a young woman facing mortality under the watchful eye of her mother, played by Shirley MacLaine.
Yet, amid rising stardom, Winger took a hiatus from Hollywood, sparking speculation that persists over four decades later. Rumors swirled about conflicts with co-stars, including reputed tension with Gere during the filming of “An Officer and a Gentleman”. Co-star Louis Gossett Jr., who played Sgt. Emil Foley, chronicled in his book “An Actor and a Gentleman” that their on-screen chemistry didn’t translate off-screen, attributing friction between Winger and Gere to creative differences.
Winger’s outspoken nature extended beyond Gere; she reportedly clashed with MacLaine on the set of “Terms of Endearment”, where their contrasting styles and personalities led to both friction and eventual camaraderie. The Hollywood grapevine buzzed with tales of Winger’s independence and occasional clashes, enhancing her mystique.
Following her hiatus, Winger returned to the spotlight with “Forget Paris” (1995) alongside Billy Crystal before taking another break to focus on family life in New York City with her husband, actor Arliss Howard. She returned to acting with “Big Bad Love” (2001) and gained further attention with the documentary “Searching for Debra Winger” (2002), exploring her decision to step away from the limelight at the peak of her career.
Reflecting on her Hollywood journey, Winger has remained philosophical, viewing Los Angeles as a place rather than a concept of stardom. Her recent roles in films like “Rachel Getting Married” (2008), “The Lovers” (2017), and “Kajillionaire” (2020) underscore her enduring talent and commitment to diverse roles, reinforcing her status as a cinematic icon who defies easy categorization.
In 2021, Winger appeared in the anthology drama “With/In”, Volume two, in a segment titled “Her Own”, directed and written by her husband Arliss Howard. Her ongoing career continues to surprise and delight audiences, proving that while Hollywood’s landscape may evolve, Debra Winger’s allure and talent endure.
Leave a Reply