Given that Goldie Hawn is not only ageless but also has a wonderful and endearing relationship with her spouse Kurt Russell and is arguably the most entertaining person in Hollywood, you can’t help but watch her.
She is a devoted mother and grandmother to her three biological children, one stepchild, and six grandchildren, and her social media accounts reflect this.
Hollywood romances don’t usually last very long. Celebrity relationships usually come and go. Goldie Hawn and Kurt Russell, though, are unquestionably an example of how to make it work even after a long marriage.
In 1983, Goldie began dating fellow Hollywood celebrity and the love of her life, Kurt Russell. More than three decades later, the pair is still deeply in love with and adores one another; they don’t even feel the need to be married.
“So as long as my emotional state is in a state of devotion, honesty, caring, and loving, then we’re fine. I like waking up every day and seeing that he is there and knowing that I have a choice. There is really no reason to marry,” Goldie told Woman’s Day in 2007.
Kurt stated, “Everyone has their marker on what is really important and where you draw the line,” in an interview with the Daily Mail in 2018. The kids come first was Goldie and my main principle.
Through the Goldie Hawn Foundation’s MindUp initiative, which she founded in 2003 to assist improve settings for kids so they may succeed in school and in life, Goldie puts the needs of all children first.
Every time you see her with her daughter Kate Hudson, a Hollywood star in her own right, you can tell how much she loves her own kids. With her second husband Bill Hudson, Goldie had a daughter named Kate and her older brother Oliver.
The amusing mother-daughter team recently made an appearance on the Ellen show, where Goldie made fun of how close she was to daughter Kate when she gave birth to Rani Rose Hudson Fujikawa, who is now one year old.
“The doctor was in there and I could see the head and then it disappeared,” Goldie animatedly declared on the show. “And I’m looking over his shoulder, then the doctor turned to me and said ‘Goldie if you get any closer you’re gonna fall in.’”
In addition, Kate has two sons: Ryder Russell, 15, and Bingham Hawn Bellamy, 8.
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
The world first fell in love with the endearing Mara Wilson in the early 1990s. She was a child actor best remembered for her roles as the bright young girl in beloved family films like Miracle on 34th Street and Mrs. Doubtfire.
The rising actress, who turned 37 on July 24, looked like she was ready for big things, but as she got older, she lost her “cute” factor and vanished from the big screen.
She continues, “If you’re not cute anymore, if you’re not beautiful, then you are worthless. Hollywood was burned out on me.”
To find out what happened to Wilson, continue reading!
When five-year-old Mara Wilson played Robin Williams’ youngest kid in Mrs. Doubtfire in 1993, she won over millions of fans’ hearts.
When the California native was invited to feature in one of the highest-grossing comedies in Hollywood history, she had already made appearances in advertisements.
“My parents grounded me even though they were proud of me.” My mother would always tell me that I’m just an actor if I ever stated something like, “I’m the greatest!” Wilson, who is now 37, remarked, “You’re just a kid.”
Following her big screen premiere, she was cast in 1994’s Miracle on 34th Street as Susan Walker, the same character Natalie Wood had performed in 1947.
Wilson describes her audition as follows: “I read my lines for the production team and told them I didn’t believe in Santa Claus” in an essay for the Guardian. “But I did believe in the tooth fairy and had named mine after Sally Field,” she writes, referring to the Oscar-winning performer who portrayed her mother in Mrs. Doubtfire.
“Very unhappy”
Next, Wilson starred with Danny DeVito and his real-life wife Rhea Perlman in the 1996 film Matilda as the magical girl.
Additionally, Suzie, her mother, lost her fight against breast cancer in that same year.
“I wasn’t really sure of my identity.I was two different people before and after that. Regarding her profound grief following her mother’s passing, Wilson explains, “She was like this omnipresent thing in my life.””I found it kind of overwhelming,” she continues. I mostly just wanted to be a typical child, especially in the wake of my mother’s passing.
The young girl claims that she was “the most unhappy” and that she was fatigued when she became “very famous.”
She reluctantly took on her final significant role in the 2000 fantasy adventure movie Thomas and the Magic Railroad at the age of 11. “The characters had too little age. I reacted viscerally to [the] writing at 11 years old.I thought, ugh. I love it, she says to the Guardian.
“Destroyed”
Her decision to leave Hollywood wasn’t the only one, though.
Wilson was going through puberty and growing out of the “cute” position as a young teenager, so the roles weren’t coming in for him.
“Just another weird, nerdy, loud girl with bad hair and teeth, whose bra strap was always showing,” was how she was described.
“When I was thirteen, no one had complimented me on my appearance or called me cute—at least not in a flattering way.”
Wilson had to cope with the demands of celebrity and the difficulties of becoming an adult in the public glare. It had a great influence on her, her shifting image.
“I had this Hollywood notion that you are worthless if you are not attractive or cute anymore. Because I connected that directly to my career’s downfall. Rejection still hurts, even if I was kind of burned out on it and Hollywood was burned out on me.
Mara in the role of author
Wilson wrote her first book, “Where Am I Now?,” before becoming a writer. “Ancidental Fame and True Tales of Childhood,” published in 2016.
The book explores “her journey from accidental fame to relative (but happy) obscurity, covering everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood.”
In addition, she penned the memoir “Good Girls Don’t,” which explores her experiences living up to expectations as a young performer.
In her Guardian column, she states, “Being cute just made me miserable.” It was always my expectation that I would give up acting, not the other way around.
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