Linette’s routine trip to the grocery store took a shocking turn when she saw a young girl wearing a silver bracelet she had buried with her daughter five years ago. The discovery unearthed painful memories and led Linette to confront a dark chapter of her past.
While helping a struggling father in the cereal aisle, Linette noticed the bracelet on his daughter’s wrist. Her heart stopped as she recognized it immediately. “It was the same bracelet I had buried with Emily,” Linette realized in disbelief.
Haunted by the sight, Linette uncovered a scandal involving the funeral home director, Harold Simmons, who had been fired for mishandling services and allegedly selling funeral mementos, including her daughter’s bracelet.
Determined to seek justice, Linette reached out to Bob Daniels, the father she met in the grocery store. He was sympathetic, apologizing for what she had gone through and offering to help. “It wasn’t just about the bracelet but about seeking justice for the betrayal of trust,” Bob explained.
Together, they built a case against the funeral home. The court ruled in their favor, bringing Linette a sense of peace. In the end, what started as a painful discovery became a path to healing and a new beginning, with Linette finding hope in the bond she formed with Bob and his daughter, Emma.
Golden Globes Gets Skewered As “New Low”
As Hollywood studios continue to see movie after movie fIop with audiences who want to be entertained by a compelling storyline rather than preached to by woke directors or shown CGI slop with no reaI plot, the Golden Globes this year were yet another humiliating disaster for the entertainment industry.
In fact, even sympathetic media outIets torched the Golden Globes, saying that they were mostly a disaster this year.
This year’s flop of a Golden Globes event was particularly bad for the industry given that, having been taken over from NBC by CBS, it was meant to be something of a reboot for the awards party and bring back a show generally known over the past few years for its declining ratings, if anything.
But rather than a revivaI, it was another flop for Hollywood, with even generally sympathetic media outlet Vanity Fair running a review of the event titled, The 2024 Golden Globes Were a Near-Total Disaster. Continuing, that review went on to describe host Jo Koy’s lengthy opening monologue as a horrid, sophomoric mishmash of lazy jokes” that didn’t elicit much laughter, a problem exacerbated by Koy being mostly unknown.
Similarly, the Iess sympathetic New York Post tore into the event as being a new low for an already troubled show, with a review article titled, Golden Globes 2024 were a new low for dying awards shows. Pulling no punches, the NYP article argued that it would have been better to cancel the event than run one so awful, saying:
Preparing for the 2024 Golden Globes, the awards show made a bunch of reforms to its ethically wobbIy voting body, got a new owner and moved to a different network. But none of those PR efforts matter much when the broadcast turns out as godawful as Sunday night’s did.
If only we’d 100% canceled the Globes when we had the chance.
Conservatives on X were simiIarly harsh. Washington Examiner personality Tim Young, for example, tore into the Golden Globes with a vengeance and said, “The Golden Globes had trash ratings… Perhaps people don’t want to tune in to woke, unfunny jokes about how white people are evil. Maybe their host should lecture at Harvard… I’m sure he’d be a hit there.”
Other posters noted that Jo Koy was a terrible host, saying things Iike “#GoldenGlobes Jo Koy is a terrible comedian, watching him tell jokes is so excruciating” and “i turned on the golden globes and had to turn it off bc the host is terrible.”
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