Barbra Streisand has recently spoken out in support of Fulton County District Attorney Fani Willis, who has been under fire from conservative critics. Streisand is certain that Willis’s criticisms are an unwarranted attempt to ruin her reputation by prying into her personal life.
In a post on X, Streisand described how Willis’s personal relationship with Nathan Wade—a deputy attorney she hired to investigate the Georgia 2020 election results—is unfairly bringing her under scrutiny. Streisand highlighted the unfair differences that exist and asked why women are harshly criticized for leading private lives while men are accepted for doing so.
“What a ridiculous desire to fire Fani Willis exists among the Republicans. For what reason? thinking that a woman can’t pursue a career and a personal life at the same time? Men do it all the time! How ridiculous is this circumstance? stated Streisand.
Streisand didn’t stop there; she also took use of the event to criticize former President Trump and his supporters. She stressed that Willis’s attacks are a ruse to deflect attention from the most crucial aspects of the case, which include alleged attempts by Trump to coerce the Secretary of State into manipulating the vote tallies in his favor and submitting a fake list of electors to Congress.
This ongoing conflict draws attention to the broader debate over the intersections of personal and professional lives, especially in relation to contentious legal and political issues. It brings up significant issues regarding gender equality and the specific expectations placed on women in positions of leadership.
Barbra Streisand’s backing of Fani Willis brings attention to the unique challenges faced by women in balancing their personal and professional commitments. It is a tragic reminder that women should not be examined or judged for choosing to maintain a private life in addition to their professional responsibilities.
In conclusion, Streisand’s comments emphasize how important it is to treat every employee equally in the workplace, regardless of gender. Women ought to be free to live their lives without unjustified criticism, just like men. To create a more fair and supportive work environment for everybody, it is asked that everyone recognize and address these prejudices.
Australia’s adopted popstar son Leo Sayer reflects on his career
“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
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