As Hollywood studios continue to see movie after movie fIop with audiences who want to be entertained by a compelling storyline rather than preached to by woke directors or shown CGI slop with no reaI plot, the Golden Globes this year were yet another humiliating disaster for the entertainment industry.
In fact, even sympathetic media outIets torched the Golden Globes, saying that they were mostly a disaster this year.
This year’s flop of a Golden Globes event was particularly bad for the industry given that, having been taken over from NBC by CBS, it was meant to be something of a reboot for the awards party and bring back a show generally known over the past few years for its declining ratings, if anything.
But rather than a revivaI, it was another flop for Hollywood, with even generally sympathetic media outlet Vanity Fair running a review of the event titled, The 2024 Golden Globes Were a Near-Total Disaster. Continuing, that review went on to describe host Jo Koy’s lengthy opening monologue as a horrid, sophomoric mishmash of lazy jokes” that didn’t elicit much laughter, a problem exacerbated by Koy being mostly unknown.
Similarly, the Iess sympathetic New York Post tore into the event as being a new low for an already troubled show, with a review article titled, Golden Globes 2024 were a new low for dying awards shows. Pulling no punches, the NYP article argued that it would have been better to cancel the event than run one so awful, saying:
Preparing for the 2024 Golden Globes, the awards show made a bunch of reforms to its ethically wobbIy voting body, got a new owner and moved to a different network. But none of those PR efforts matter much when the broadcast turns out as godawful as Sunday night’s did.
If only we’d 100% canceled the Globes when we had the chance.
Conservatives on X were simiIarly harsh. Washington Examiner personality Tim Young, for example, tore into the Golden Globes with a vengeance and said, “The Golden Globes had trash ratings… Perhaps people don’t want to tune in to woke, unfunny jokes about how white people are evil. Maybe their host should lecture at Harvard… I’m sure he’d be a hit there.”
Other posters noted that Jo Koy was a terrible host, saying things Iike “#GoldenGlobes Jo Koy is a terrible comedian, watching him tell jokes is so excruciating” and “i turned on the golden globes and had to turn it off bc the host is terrible.”
What Has Melissa Sue Anderson Been Up To?
Actress Melissa Sue Anderson was born in Berkeley, California, on September 26, 1962. She gained notoriety in the late 1970s and early 1980s for her portrayal of Mary Ingalls in the adored television series “Little House on the Prairie.” Let’s see what she’s been up to this year!
Early Life and Entertainment Career Beginnings
Melissa Sue Anderson started her career in showbiz at a young age. She and her family relocated to Los Angeles when she was a little child, and during her dancing lessons, her teacher saw her potential and urged her parents to get her an agent. As a result, she started to feature in several ads, such as well-known ones for Mattel and Sears.
Television producers soon noticed her talent and charisma, and she started getting offers for playing parts. She has cameos in episodes of “Shaft,” “Bewitched,” and “The Brady Bunch,” among other television series. But her breakthrough performance in “Little House on the Prairie” would determine the course of her career for the following eight years.
“Little House on the Prairie” and Life After It
Following the completion of the seventh season of “Little House on the Prairie,” Melissa Sue Anderson persisted in showcasing her acting prowess. Her performance in the horror movie “Happy Birthday to Me” earned her a nomination, and she has starred in television series like “Murder, She Wrote,” “The Equalizer,” and “CHiPs.” She experimented with production as an associate producer on Michael Landon’s last movie, “Where Pigeons Go to Die,” in addition to her acting career.
In 1998, Melissa Sue Anderson was admitted into the Western Performers Hall of Fame in honor of her services to the entertainment business. In 1999, she also starred in the sitcom “Partners” on television. But as time passed, Melissa Sue Anderson made the decision to put more of an emphasis on her personal life and less on performing.
A Career Apart from Acting
Melissa Sue Anderson gave up performing in the later years of her career to focus on raising her family and being a stay-at-home mother. She was able to give priority to her family duties after moving to Montreal in 2002 and obtaining Canadian citizenship in 2007.
Melissa Sue Anderson kept pursuing her love of storytelling even as her acting roles decreased. She featured in other short films in addition to the popular series “Veronica Mars,” in which she played Stosh’s mother in 2014. Her autobiography, “The Way I See It: A Look Back at My Life on Little House,” explores her childhood star experiences and offers intriguing behind-the-scenes glimpses into the lives of the devoted crew, guests, and cast.
Without a doubt, Melissa Sue Anderson has made a lasting impression on the entertainment world and the hearts of people everywhere. Her influence is still felt as she accepts her duty as a loving mother and considers her amazing journey.
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