An adorable mystery in a peaceful suburban area captivated one worried family. It all started when Emma’s adored grandma would come over to watch her kids, and her hair would seem to change inexplicably every time. What at first appeared to be harmless mischief gave Lydia, Emma’s mother, cause for concern.
Emma was six years old, full of energy and charming curls who loved her grandmother. But Lydia couldn’t help but notice the distinct changes to Emma’s hair that only happened while her grandmother was taking care of her. Lydia acted, determined to find out the truth and protect her daughter.
Lydia took an unorthodox approach and put covert cameras all over the house. She was trying to find a solution to the confusing circumstance. However, what the video showed was unexpected and uplifting at the same time.
Lydia saw private moments of a grandmother and granddaughter participating in what seemed to be a treasured bonding ritual through the lens of the hidden cameras. Emma, prompted by her grandmother’s tales of her early years as a hairdresser, had naively requested to play “salon.”
Emma’s grandmother willingly catered to the small girl’s demands without any malice in her heart. Emma would happily cut her own hair while being closely observed and guided by her. These were times of storytelling, laughter, and the kind of happiness that leaves enduring childhood memories.
Lydia’s worries vanished after learning this, and were replaced with a deep sense of appreciation and understanding. Rather of criticizing her mother, Lydia saw this as a chance to have a meaningful family discussion about boundaries, creativity, and the value of communication.
Lydia made the decision to provide Emma’s growing interest in hairstyling with more structure. She signed Emma up for weekend workshops for kids, where the young girl could pursue her interest under the direction of seasoned experts.
What was once a bewildering enigma was transformed into a touching story about the beauty of intergenerational relationships and the enduring power of family ties. The family was reminded by this unexpected journey that sometimes the most basic gestures of love and treasured customs provide the answers we seek.
Australia’s adopted popstar son Leo Sayer reflects on his career
“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
Leave a Reply