Barbara Eden is 91 and still enjoying a successful career over 50 years after ‘I Dream of Jeannie’

Barbara Eden, who is 91 years old, has been performing for an incredible 70 years and is still going strong.

The actress, singer, and producer is most known for her role in the 1965 television series “I Dream of Jeannie,” though she had been on film for eleven years before that.

Many TV generations have watched the classic 1960s sitcom I Dream of Jeannie, which tells the story of an astronaut who brings home a 2,000-year-old female genie.

Fans watched and laughed despite the ridiculous premise because of Barbara Eden, the stunning and talented actress who portrayed Jeannie.

It might be hard for fans to believe, but Barbara is 91 years old now!

She hasn’t been seen on TV in her notorious harem attire in a while, but she is still going strong and staying busy.

Barbara’s life hasn’t always been easy, though.

Barbara Eden was born in Tucson, Arizona, in the United States, in 1931. Following her parents’ divorce, she moved to San Francisco and enrolled in the Conservatory of Music to begin studying singing.

Barbara grew up in Golden Gate City, where she played in neighborhood nightclubs with local bands. But in the end, she too decided to go into acting.

“Barbara, you don’t sound like you mean a word you’re singing,” my mother remarked. “Acting is something I think you should study too,” Eden recalled.

She then decided acting was a suitable fit for her and moved to Los Angeles, where she began appearing on some of the biggest shows of the 1950s.

She made her television debut in 1955 as a semi-regular guest on The Johnny Carson Show, but her role in the cult classic fantasy sitcom “I Dream of Jeannie” is what really made her famous.

Arizonan actress Jeannie played the enticing genie that astronaut and US Air Force Captain Anthony “Tony” Nelson (played by Larry Hagman) released from her bottle.

“We simply clicked,” Our rhythms were identical. Whatever we were doing, we were getting the same truth,” Eden clarified.

“I was really in love with him. There are some actors that you have to really try to like them. then you store it in a different mental box. But I never had to do it with Larry. He was there all the time.

She played Jeannie’s mother and her mean sister in the program over her five years in the role. Jeannie became well-known because of Eden’s harem clothes, which at the time was a touch too risque for television.

In 2015, close to the show’s 50th anniversary, she told Today, “Executives at NBC got very frightened.” “They tightened their rules regarding the navel.”

Eden asserted that the myth was really spread by means of an entirely separate, far earlier interview with the Hollywood Reporter, following her friend and columnist Mike Connolly’s ridicule of her over the issue.

Mike started making fun of my belly button when he first came in, and it quickly caught on and went throughout the globe. I would tease him back and we had a nice fun with it, but I had no idea it would turn into something.

The iconic ensemble additionally contributed to Eden’s rise to fame as a TV sex symbol among a host of celebrities, including Elvis Presley and John F. Kennedy, who emailed her his phone number.

As stated in her 2011 memoir, Jeannie Out of the Bottle, the actress “binned the piece of paper, but I wish I still had it.”

Eden, who is 91 years old, has acted in more than 50 motion pictures.

In her most recent movie, My Adventures with Santa, which came out in 2019, she portrayed Mrs. Claus. Melissa Gardner made her stage debut as Melissa Gardner in the play of “Love Letters” the same year the movie was made.

“I feel so young!” Barbara continued, saying that she felt fortunate to be able to accomplish the work that she did. “I feel bad for anybody who, like my poor father, had to work in a job he didn’t enjoy every day. I take pleasure in what I do. I’m still employed.

Barbara said that she had continued to go to the gym, do spin classes, and lift weights until a few years ago. Now, a personal trainer comes to her house to help with resistance training, and they take a walk together.

The television icon declared, “I have a lot of friends.” “I’m not too bad at socializing.”

She even has a scheduled appearance in March 2022.

She remarked in jest, “If I’m around, I’ll be there; I really like it.”

In addition to writing children’s books, Barbara likes to act. Barbara, a little child, meets a “charming and wizardly Genie” who takes her on adventures that are a little bit like those in her well-known part in the novel Barbara and the Djinn, which she co-wrote.

She claims that because “now all they do is look at telephones,” she believes that her books will help kids understand the importance of reading.

Barbara brushes off the notion that “I Dream of Jeannie” would seem a little out of date to modern audiences.

This is a famous concept, come on, she said. “Twelve Hundred and One Nights”? This fantasy is really sweet and great.

And to be very honest, you know, she was in charge. She was anything but submissive.

Barbara Eden has led such an incredible life, enabled by her positive outlook and boundless enthusiasm. She is a true example of how age is simply a number.

If you also adore this iconic actress, do share.

Gary Burghoff AKA Radar from ‘M*A*S*H’ Always Kept His Left Hand Out of View – Five Times We Could See It

The hit 1972 sitcom “M*A*S*H” introduced the world to a number of memorable and beloved characters, from the smart-mouthed yet compassionate Captain Benjamin Franklin “Hawkeye” Pierce to his endearing friend, Captain B.J. Hunnicutt. Almost every character had stuck in the minds of the fans.

One of the characters that often featured but was easily overlooked by his military counterparts due to his nervous nature was the 4077 MASH unit’s company clerk, Corporal Walter Eugene “Radar” O’Reilly. Although many of the staff on the base tended to take Radar’s effort for granted, the fans sure noticed him.

Radar was portrayed by the acclaimed actor Gary Burghoff from the start of the TV show in 1972 until the seventh season, which aired in 1979. Although fans clamored for more of the unassuming clerk, Burghoff revealed that he needed to step away from the show to rekindle his personal relationships and fight burnout.

“M*A*S*H’s” Influence and Burghoff’s Personal Identity
Although Burghoff enjoyed playing Radar, the role became increasingly demanding. The actor commented that it became difficult to separate himself from his character in the eyes of the public, which soon became tedious. He also noted that he despised being fawned over by the crowds:

“Aw, I know I’m cute. Cute, cute, CUTE! I was always cute because I was always the smallest kid on the block. I hate cute.”

Everyone saw Burghoff as an adorable, short, timid character as they’d known him on-screen and on the stage for many years. However, after years of being looked down upon, both metaphorically and physically speaking, Burghoff grew tired of the persona so easily attributed to him by scores of people he had never even met.


The actor lashed out against this view of him as a cute little fellow by defending his height. As he so rightly pointed out, 5 feet 6 inches isn’t irregularly short, and he would have seen the tops of Arte Johnson or Mickey Rooney’s heads had they ever met. Nonetheless, the persona stuck.

Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor.

Despite his misgivings about how others perceived him, Burghoff’s fellow cast members adored him. The director Charles Dubin recalled working with Burghoff before he left “M*A*S*H,” noting how caring and pleasant Burghoff was to everyone on set. However, Burghoff had another aspect of himself that drove down his self-esteem.

Burghoff had been born with a congenital disability called Brachydactyly, a form of Poland Syndrome. The condition left the actor with three fingers on his left hand that were noticeably smaller than the rest of his digits, and the abnormality had plagued him since he was a small child. The actor commented:

“Of course, this defect affected me while I was growing up. I suppose when I was very young, I knew my disability would set me apart and make me special.”

Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor. Yet, becoming a fan-favorite on one of the most iconic TV shows America had ever produced never managed to quell his insecurities about his stout fingers and stocky frame.

Throughout his run on “M*A*S*H,” Burghoff tried to hide his left hand from the camera. He would often position himself so that the camera could only see one side of his body and usually gestured with his right if the scene required it, although the actor would be obligated to use both hands now and again.

In one of the earliest episodes, viewers were introduced to Radar as he stood in an open area, wearing a greyish shirt and his trademark cap. As the actor turned around and looked at the sky — once again hearing approaching helicopters before everyone else — the camera briefly panned over both his hands holding a football.

When Colonel Sherman T. Potter first made his appearance on the show, taking over from the beloved Lieutenant Colonel Henry Blake, Radar and the new commander shared a scene where they first met. As Colonel Potter exited the room to find the latrines, the camera centered on Burghoff’s upper body as he opened a box with both hands.

Another infamous scene caught Burghoff with both hands on camera. During a regular morning salute, with the loathsome Major Frank Burns leading the ceremony, Radar does his usual morning salute with a bugle. In a hilarious twist, one of the men fires off the ceremonial canon at Burns’s behest.

Naturally, Radar gets the short end of the stick as the cannonball flies directly at him, knocking his instrument clean out of his hands. In the next few seconds, Burghoff turns toward the camera in a pantomime of rage, balling his fists and stomping in outrage. Here, both his hands can be seen for a brief second.

In one of the later episodes, the writers showed off Radar’s softer side when he cuddled his pet guinea pig, Babette. Naturally, Radar stood with his left hand beneath his right, but just as he started to sing, Father John Mulcahy called for him. Burghoff’s hands were visible again as he put the Babette away.

One of the scenes where Burghoff openly showed his left hand came as part of another gag the show pulled. At the start of the scene, Radar could be seen walking across a dirt road while two other military personnel walked away from the camera. The man on Radar’s right first lifted his hand in salute, followed shortly by one on the left.

Radar, the pleasant character he was, lifted his right hand in response to the first salute, as military etiquette dictates. Caught off guard by the quick second salute, Radar lifted his left hand as well, essentially performing a double salute. Feeling sheepish, he frowned and lowered his hands slowly in one of Burghoff’s classic displays of confusion.

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