Ryan Seacrest is a well-known figure in the entertainment world, but he’s feeling the pressure as he gets ready to take over from Pat Sajak as the host of *Wheel of Fortune*.
According to sources in the US, Radar Online reports that Seacrest is using special techniques to deal with his anxiety about this big new job.
Fans know that 77-year-old Sajak is stepping down after more than 40 years as the show’s host. Seacrest, who is 49, has been chosen to replace him, but taking over such an important role is a huge challenge.
Even though Seacrest has a long and successful career on TV, insiders say he still feels the pressure of taking on such an iconic job.
One source told Radar Online: “Ryan often takes on more than he can handle. He’s nervous right now, but he’s always wanted to be the next Dick Clark, and he’s become that. But he’s only human, and filling Pat Sajak’s shoes on *Wheel of Fortune* is a massive challenge.”
If anyone is right for the job, it’s Ryan Seacrest, who also hosts *American Idol*. But to prepare for hosting *Wheel of Fortune*, he’s using some tried-and-true methods to get ready. The first episodes with Seacrest as host are expected to air this September.
According to a source, “He’s doing everything he can to handle the nerves before his new job. That includes getting at least eight hours of sleep and listening to audiobooks for anxiety, because Ryan doesn’t know how to switch off by himself.”
The source added, “He has other helpful tricks, too. Just going outside for some fresh air and sunshine helps him relax. He’ll also have a cozy, air-conditioned trailer at the studio where he can unwind.”
Ryan Seacrest shared a heartfelt tribute to Pat Sajak three weeks ago. In his message, he praised the famous host’s partnership with Vanna White, 67, and said Sajak had “set the standard for hosts everywhere.”
On Instagram, Seacrest wrote, “Pat, congratulations on an incredible run with *Wheel of Fortune*! Your dedication, charm, and wit have made the show a beloved part of American television for decades.”
He continued, “Your partnership with Vanna has been nothing short of iconic, and together, you’ve created countless wonderful memories for viewers. You’ve set the standard for hosts everywhere.”
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
The world first fell in love with the endearing Mara Wilson in the early 1990s. She was a child actor best remembered for her roles as the bright young girl in beloved family films like Miracle on 34th Street and Mrs. Doubtfire.
The rising actress, who turned 37 on July 24, looked like she was ready for big things, but as she got older, she lost her “cute” factor and vanished from the big screen.
She continues, “If you’re not cute anymore, if you’re not beautiful, then you are worthless. Hollywood was burned out on me.”
To find out what happened to Wilson, continue reading!
When five-year-old Mara Wilson played Robin Williams’ youngest kid in Mrs. Doubtfire in 1993, she won over millions of fans’ hearts.
When the California native was invited to feature in one of the highest-grossing comedies in Hollywood history, she had already made appearances in advertisements.
“My parents grounded me even though they were proud of me.” My mother would always tell me that I’m just an actor if I ever stated something like, “I’m the greatest!” Wilson, who is now 37, remarked, “You’re just a kid.”
Following her big screen premiere, she was cast in 1994’s Miracle on 34th Street as Susan Walker, the same character Natalie Wood had performed in 1947.
Wilson describes her audition as follows: “I read my lines for the production team and told them I didn’t believe in Santa Claus” in an essay for the Guardian. “But I did believe in the tooth fairy and had named mine after Sally Field,” she writes, referring to the Oscar-winning performer who portrayed her mother in Mrs. Doubtfire.
“Very unhappy”
Next, Wilson starred with Danny DeVito and his real-life wife Rhea Perlman in the 1996 film Matilda as the magical girl.
Additionally, Suzie, her mother, lost her fight against breast cancer in that same year.
“I wasn’t really sure of my identity.I was two different people before and after that. Regarding her profound grief following her mother’s passing, Wilson explains, “She was like this omnipresent thing in my life.””I found it kind of overwhelming,” she continues. I mostly just wanted to be a typical child, especially in the wake of my mother’s passing.
The young girl claims that she was “the most unhappy” and that she was fatigued when she became “very famous.”
She reluctantly took on her final significant role in the 2000 fantasy adventure movie Thomas and the Magic Railroad at the age of 11. “The characters had too little age. I reacted viscerally to [the] writing at 11 years old.I thought, ugh. I love it, she says to the Guardian.
“Destroyed”
Her decision to leave Hollywood wasn’t the only one, though.
Wilson was going through puberty and growing out of the “cute” position as a young teenager, so the roles weren’t coming in for him.
“Just another weird, nerdy, loud girl with bad hair and teeth, whose bra strap was always showing,” was how she was described.
“When I was thirteen, no one had complimented me on my appearance or called me cute—at least not in a flattering way.”
Wilson had to cope with the demands of celebrity and the difficulties of becoming an adult in the public glare. It had a great influence on her, her shifting image.
“I had this Hollywood notion that you are worthless if you are not attractive or cute anymore. Because I connected that directly to my career’s downfall. Rejection still hurts, even if I was kind of burned out on it and Hollywood was burned out on me.
Mara in the role of author
Wilson wrote her first book, “Where Am I Now?,” before becoming a writer. “Ancidental Fame and True Tales of Childhood,” published in 2016.
The book explores “her journey from accidental fame to relative (but happy) obscurity, covering everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood.”
In addition, she penned the memoir “Good Girls Don’t,” which explores her experiences living up to expectations as a young performer.
In her Guardian column, she states, “Being cute just made me miserable.” It was always my expectation that I would give up acting, not the other way around.
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