Felix, a single dad in his mid-30s, was relaxing in his armchair, barely paying attention to the TV in his small, slightly worn living room. The sound of the sitcom couldn’t hide the loneliness he felt since losing his wife in a car crash seven years ago.
Felix found comfort in his job as a janitor and in raising his daughter, Alice. She brought him joy, reminding him of the happy moments he once had with her mother.
One day, Felix noticed his elderly neighbor struggling to cut her overgrown lawn. Wanting to help, he rushed over to mow it for her. Grateful, the woman insisted on giving him a strange, antique box as a thank-you gift.
But that gift quickly led to trouble when Felix received an urgent phone call from the woman’s lawyer, requesting a meeting.
One day, Felix heard a noise outside and glanced out the window. He saw his elderly neighbor, Mrs. White, struggling with her lawnmower. Mrs. White was known for being independent despite her age, but today, she clearly needed help.
Without a second thought, Felix walked over and offered his assistance. “Let me help you with that, Mrs. White,” he said, taking control of the lawnmower. Together, they worked quietly under the warm afternoon sun, finishing the task in no time.
After they finished, Mrs. White smiled warmly and thanked Felix.
“Felix, you’ve always been so kind, helping me without expecting anything in return.”
Felix, ever humble, replied, “It’s no trouble at all, Mrs. White.”
Wanting to show her gratitude, Mrs. White offered him a beautifully decorated box. Felix hesitated, feeling uncomfortable accepting such an expensive-looking gift. “I can’t accept this, Mrs. White,” he said.
Respecting his decision, Mrs. White smiled and handed him a bag of apples instead.
“Then please, at least take these apples for Alice,” she said, gently urging him.
Felix thanked Mrs. White for the apples and headed home. Once inside, he gave the apples to his daughter, Alice, who eagerly accepted them, her eyes lighting up.
“Thank you, Daddy!” she said with excitement.
As Felix settled back into his quiet evening, Alice made an unexpected discovery. She pulled out the same ornate box that Mrs. White had tried to give Felix earlier.
Surprised, she ran over to him, holding the box and exclaiming, “Daddy! Look what was in the bag with the apples!”
The mysterious box in Felix’s hands stirred up curiosity about why Mrs. White had hidden it among the apples. Felix, feeling uneasy, told Alice, “Alice, we can’t keep this. It’s not ours.”
Alice, intrigued, responded, “But Dad, what if there’s something cool inside? Something we need?”
Felix shook his head gently and said, “Even if that’s true, it doesn’t make it ours. This box belongs to someone else, and we need to respect that.”
Accepting her father’s decision, Alice agreed, and Felix set off to return the box to Mrs. White. When he reached her house, a strange, foreboding silence greeted him.
“Mrs. White?” Felix called out, but there was no answer. The stillness of the house felt heavy as he cautiously searched for her. Finally, he found her lying motionless on the couch. It was clear that Mrs. White had quietly passed away.
Felix stood there in shock, the box in his hand, unsure of what to do next.
Shocked and unsure of what to do, Felix stood frozen, the weight of Mrs. White’s death sinking in. He knew he needed to call someone, but he hesitated, glancing between her lifeless body and the mysterious box in his hands.
After a moment of inner conflict, Felix made a decision. He stepped back, leaving the house with the box still in his grasp, now feeling like a heavy, burdensome secret he carried with him.
Back home, the box sat on his table, its presence feeling more ominous with every passing moment.
Curious and anxious, Felix began researching the box online. He typed “antique box gold diamond inserts” into the search bar and quickly found similar items listed for enormous sums of money, with one even valued at $250,000. The discovery shocked him, tempting him with the thought of financial security for Alice. But it also tugged at his conscience, leaving him conflicted about what to do.
Just as Felix was deep in thought, the phone suddenly rang, shattering the silence.
Felix’s heart raced as an unknown voice spoke over the phone, “Good evening, is this Felix? My name is Jonathan Pryce. I am Mrs. White’s attorney. I believe it is imperative for us to discuss a matter of significant concern. Can we arrange a face-to-face meeting?”
Feeling a wave of nervousness, Felix replied, “Sure, we can meet. How about tomorrow?”
“Let’s convene at ‘Café Lorraine’ on the main street at 10 a.m. It’s a quiet place, conducive for such discussions,” Mr. Pryce suggested.
“Okay, I’ll be there,” Felix confirmed, ending the call with his heart pounding. What could this meeting be about? He glanced once more at the mysterious box, unsure of what was coming next.
Felix arrived at ‘Café Lorraine’ and spotted Mrs. White’s lawyer, Jonathan Pryce, seated at a corner table. To his surprise, sitting next to him was a man Felix didn’t recognize.
As he approached, Jonathan introduced the stranger. “This is Henry, Mrs. White’s son.”
Felix was stunned—he had no idea Mrs. White had a family.
Without wasting any time, Henry spoke, his tone sharp and accusatory. “I know you were at my mother’s house yesterday,” he said, glaring at Felix.
Felix quickly defended himself, “I was just helping her out, like I often did.”
Henry’s face hardened. “My mother had an antique box with significant sentimental value to our family. It’s been in our family for generations… and now it’s gone. Things like that don’t just disappear.”
Feeling cornered and uneasy, Felix said nothing, which led Henry to make a proposal.
“Listen, I don’t care how it happened, but I need that box back. I’m willing to pay you a thousand dollars for its return. No questions asked,” Henry offered.
Felix, knowing the box’s true value, shot back, “I’m not an idiot. I know that box is worth a lot more than what you’re offering. And no, I didn’t steal it. Your mother gave it to me willingly.”
Henry was caught off guard as Felix declared, “I’ve decided to auction the box. If it means that much to you, you’re welcome to bid on it, just like anyone else.”
With that, Felix abruptly left the café, feeling both defiant and apprehensive about the unfolding situation.
The following day at the auction, experts gathered around the box, marveling at its craftsmanship. They began questioning Felix about its origins. Under their intense scrutiny, Felix hesitated and stammered, “It was… it was an inheritance,” which only fueled their suspicions.
The situation grew tense as experts demanded proof of ownership for the box. Talk of involving the police began to circulate.
Panicked and unprepared, Felix stammered, “I… I don’t have them with me.”
Feeling the walls closing in, Felix made a desperate decision to escape. He fled the auction house, overwhelmed with fear and uncertainty about the legal trouble he might face.
Back home, Felix was plagued by thoughts of the box and its potential to change their lives. Realizing he needed proof of the box’s legitimacy, he knew he had to return to Mrs. White’s house to find it.
Late that night, Felix sneaked into Mrs. White’s house, frantically searching for any documents that might prove his claim to the box. Despite his desperate efforts, he found nothing.
As his frustration grew, a sudden noise startled him. He turned to see Henry standing in the doorway.
“I knew you’d come,” Henry said, his voice carrying a mix of disappointment and resignation. “After I heard about the auction, I figured you’d show up here looking for something to legitimize your claim to that box.”
Feeling trapped and defenseless, Felix listened as Henry outlined his conditions.
“Felix, you’ve made a grave mistake,” Henry continued, his tone stern. “Breaking and entering is a criminal offense. But I’m willing to overlook it if you do exactly as I say.”
Henry’s terms were harsh but straightforward. “You have until tomorrow. Bring the box to me, or I’ll have no choice but to report this to the police. They’ll be very interested in your little nocturnal visit.”
Feeling defeated and realizing he had no real choice, Felix reluctantly agreed. Henry escorted him out, and Felix returned home, overwhelmed by the seriousness of his predicament.
Felix weighed his limited options: he could either surrender the box to Henry, avoiding legal trouble but forfeiting any potential financial gain, or take a risk that could jeopardize his and Alice’s future.
In his turmoil, Felix decided to send Alice to her grandmother’s house, far from the looming trouble. He packed a bag for her, including the box, as a precaution.
Just then, Alice appeared, noticing her father’s distress. “Dad, what’s going on? You look upset,” she asked with innocent concern.
Felix knew he had to explain everything to Alice. He paced his living room, the gravity of their situation weighing heavily on him.
“Alice,” he began, trying to keep his voice steady, “this box is really important. It’s worth $250,000, and it could change our lives. But I can’t keep it. I need you to take it to Grandma in Virginia.”
Alice, overwhelmed by the news, asked, “But why can’t you come with me, Dad?”
Felix sighed deeply. “I might not be around for a little while, sweetheart. There’s a chance I’ll have to… go away for some time. But I promise it won’t be forever. I’ll do everything I can to come back to you.”
As they packed, Felix reassured Alice of her strength and the importance of their plan. At the bus station, amidst a heartfelt goodbye, he watched her board the bus, feeling a piece of his heart leave with her.
Returning home to the heavy silence of the now-empty house, Felix made a crucial decision.
He picked up the phone and called Henry. “I don’t have the box, Henry. It’s out of my hands,” he said firmly. “I’m ready to turn myself in. You can call the police.”
Soon, the police arrived and took Felix away without resistance. As he was led out, his thoughts were solely focused on Alice’s safety and their future.
Months later, in prison, Felix’s routine was suddenly interrupted by a guard’s commanding voice. “Pack your things and come with me!”
Confused but hopeful, Felix followed the guard, his mind racing with possibilities. When they arrived, he was met with a sight that filled him with immense relief and joy: Alice was waiting for him.
“Dad,” she said, her voice breaking through the gloom of his prison life, her presence instantly lifting his spirits.
Alice explained that she had finally unlocked the box and discovered documents and a letter from Mrs. White. The letter revealed that Mrs. White wanted Felix to inherit the box. With this newfound evidence, Alice managed to secure his release.
“I couldn’t believe it myself, Dad,” Alice said, her eyes shining with determination. “After you sent me away, I kept thinking about the box, about the code… And then, one day, it just clicked!”
Felix was deeply moved by Mrs. White’s final act of kindness and Alice’s unwavering resolve.
“So, I took those papers and found a buyer who collects antiques like this one. They didn’t just buy the box, Dad. They also helped me find a lawyer, explained bail, and how we could fight the case.”
Reunited, Felix and Alice embraced tightly, ready to face their new beginning. “We don’t have to worry anymore,” Alice assured him. “We have enough to start over, but more importantly, we have each other. And we’re going to get through this, one step at a time.”
10 Little-Known Mistakes in Pretty Woman That Will Blow Your Mind
Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
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