Claudia Cardinale is Italy’s counterpart to France’s Brigitte Bardot. She quickly rose to stardom to almost just as quickly disappear from the scene later on. Now, Claudia Cardinale celebrates her 85th birthday.
The Italian star was originally discovered at a beauty contest held in 1957 by the Unitalia film company. The “most beautiful Italian woman of Tunis” subsequently won a trip to the Venice Film Festival that was to become a decisive turning point in her life. The sultry young woman was born on April 15, 1938, in Tunis, the capital of Tunisia. Her mother was French, and her father Italian.
In 1958, Cardinale, known as CC, played her first role in “Goha” opposite Omar Sharif before being trained as an actress at the Italian Film Academy in Rome. Her talents as an actress renowned for her dauntless rambunctiousness gained her fame, and her gaze into the camera became legendary.
Famous director Luchino Visconti gave her minor roles in “Rocco and his Brothers” (1960), as well as in the historical drama “The Leopard” (1962) with Alain Delon. As she later recounted in a biographical interview, she rebuffed all of her famous film partners, Jean-Paul Belmondo, Marcello Mastroianni, Alain Delon and Burt Lancaster.
A beauty queen turned into a film diva
Cardinale is Italy’s counterpart of Brigitte Bardot. But in contrast to Bardot, Cardinale never appeared nude in a film: “I always thought it was more erotic to leave some room to imagination, hinting at things rather than showing everything,” she told the German magazine Stern in 2014.
CC achieved her breakthrough with her performance in the highly popular Italo western “Once Upon a Time in the West” (1969). The classical western directed by Sergio Leone and starring Henry Fonda and Charles Bronson was shot in Rome’s Cinecittà studios and in Spain with some scenes set in Utah’s Monument Valley. The film that flopped in the US only acquired cult status in Europe.
CC’s career already saw a downswing in the 1970s. She then turned to television films, especially entertainment films where she showed some talent as a comedian. She got her last main role in a movie in 1971 when she starred opposite her main rival, Brigitte Bardot, in the Italo western comedy “Frenchie King.”
Spending time in a jungle with Werner Herzog
Ten years later, CC starred in German director Werner Herzog’s historical film “Fitzcarraldo” (1981). Although Claudia Cardinale had a difficult time enduring the bouts of anger of her eccentric film partner Klaus Kinski, she greatly enjoyed shooting and working with director Werner Herzog: “Being in the middle of the jungle with insects all around me and nothing to eat was one of my most wonderful adventures,” she later stated.
Claudia Cardinale and other heroines of European film
Claudia Cardinale is seen as Italy’s counterpart to France’s Brigitte Bardot. The actress who became a star in the 1950s and 60s now celebrates her 85th birthday.
Claudia Cardinale
She’s the youngest of Italy’s three major female stars. Claudia Cardinale worked with outstanding directors like Luchino Visconti and Federico Fellini. She fascinated audiences with her charming smile and acting skills in westerns, among them “Once Upon a Time in the West” and “The Professionals” (pictured).
Gina Lollobrigida
One of the most highly acclaimed European stars of the 1950s and 60s was Gina Lollobrigida who was born in the East of Rome in 1927. “Lollo” even made it to Hollywood where she was equally showered with praise. In the 1970s, however, she withdrew from showbiz.
Sophia Loren
Another Italian actress, Sophia Loren, who was a few years younger than Lollo, became her fiercest rival. The mutual hatred and jealousy of the two stars was a frequent topic in tabloids. In contrast to Lollobrigida, Sophia Loren continued to perform in movies even as an older woman.
Brigitte Bardot
During the same time, another sexpot rose to stardom in France with movies like “And God Created Woman” and “Love is my Profession.” Brigitte Bardot, the superstar of the Grande Nation, withdrew from film production in the 1970s to devote herself to animal rights causes.
Catherine Deneuve
A decade later, Bardot’s compatriot Catherine Deneuve broke onto the film scene. Deneuve differed much from both Loren and Lollo by playing roles as aloof and myterious women early in her career. Deneueve’s talent as an actress guaranteed her success throughout her life.
Romy Schneider
The two decades between 1960 and 1980 were also the golden era of German-French actress Romy Schneider. Born in Vienna, she made her breakthrough in the German-speaking world as “Sissi” before moving to France. In Paris, she became one of the most charismatic and impressive actresses of European film scene. But in her private life, she was anything but lucky. She died in 1982.
Penélope Cruz
One of the most famous Europen actresses in recent decades is Spanish actress Penélope Cruz. Cruz started her career in her home country before achieving fame in other European countries and, finally, Hollywood. Her performances received a lot of acclaim, especially in films by director Pedro Almodóvar, among them “Volver” (pictured).
Irene Papas
After 1945, actresses from smaller European nations were able to conquer the hearts of audiences across Europe. One of them was Irene Papas who is also renowned as a singer in her home country, Greece. She celebrated her biggest success in “Zorba the Greek” (1964) before also working in other European countries, and in Hollywood.
Tatjana Samoilova
While films from Italy, France, Germany and England dominated the film scene during the postwar era, it should not be forgotten that eastern Europe had much to offer too. One of the biggest female stars of Russian film was certainly Tatjana Samoilova who achieved world fame with the movie “The Cranes are Flying” (1957).
Krystyna Janda
Polish actress Krystyna Janda became known in the 1970s for her performances in films by Polish director Andrzej Wajda. She then performed in international co-productions with stars like Lino Ventura. In her home country, Krystyna Janda is also known as a singer and an an author.
In 1993, CC received a Golden Lion for lifetime achievement at the Venice Film Festival to be followed in 2002 by an “honorary bear” at the Berlinale. The spirited actress performed in more than 100 films.
In 2017, CC once again drew attention at an international film festival. A photo depicting her as a young actress embellished a placard in Cannes where she had often been invited as an honorary guest. On April 15, Claudia Cardinale will turn 80. Happy birthday!
This article was originally published April 15, 2018 and updated.
My Mother-in-Law Persistently Intrudes on My Privacy – I Installed a Hidden Camera, Which Uncovered an Even More Shocking Truth
My Mother-in-Law Persistently Intrudes on My Privacy – I Installed a Hidden Camera, Which Uncovered an Even More Shocking Truth
Susan always prided herself on her sense of privacy and personal space, qualities she valued deeply in her orderly life. Married to Mike, a dependable and loving husband, and mother to their bright and bubbly son James, Susan’s life was filled with the simple joys of family. However, her comfort began to wane with the increasingly frequent visits of her mother-in-law, Mary, who had started babysitting James more often.
Initially, Susan appreciated Mary’s help, which allowed her to focus more on her burgeoning career as a graphic designer. Yet, something felt off each time Mary left their home. Susan started noticing subtle disarrays: her jewelry box slightly askew, drawers not fully closed, and personal papers that seemed shuffled. When she voiced her concerns to Mike, his responses were dismissive, always finding reasons to excuse his mother’s potential invasions of their privacy.
“Susan, Mom wouldn’t do that. Maybe James is playing around in our room?” Mike would suggest, trying to alleviate her worries.
However, Susan’s intuition told her otherwise. The thought of being violated in her own home by someone she was supposed to trust gnawed at her. Driven by a need to protect her personal boundaries, Susan decided on a course of action that would eventually reveal more than she bargained for. She set up a hidden camera in their bedroom, a decision that filled her with guilt yet seemed necessary.
For days, the camera captured nothing more than mundane realities of daily life—Mary playing with James, reading stories, and putting him to bed. Susan almost began to feel foolish until the footage from one particular afternoon changed everything.
After tucking James in for his nap, Mary began snooping through Susan and Mike’s bedroom. She sifted through Susan’s diary and Mike’s personal letters. Feeling a mix of vindication and shock, Susan called Mike to watch the footage. As they watched, another figure unexpectedly appeared, shattering their world.
A man, presumed dead—Mike’s father—walked into the frame. He was unmistakable, even after years, especially with the distinct tattoo on his arm that Mike had described in stories from his childhood.
“There, look!” Susan pointed out, shaking as the reality of the situation set in.
Mike was in disbelief. “That can’t be,” he murmured, the image of his supposedly deceased father overwhelming him. “He looks just like Dad, but it must be a mistake.”
Confronting Mary became inevitable. The drive to her house was tense, each mile stretching longer than the last. When they arrived, Mary’s usual warm demeanor faltered under the weight of her son’s stern expression.
“Mom, we need to talk about Dad. Why is he in our house when you told me he was dead?” Mike’s confrontation was direct, his voice a blend of confusion and betrayal.
Mary’s reaction was one of immediate regret. “Oh, Michael, I—I thought I was protecting you,” she stammered, her explanation dissolving into sobs.
“Protecting me? From what?” Mike pressed, his patience thinning.
Mary revealed a past filled with pain and fear. After a serious accident, her husband had become aggressive and unpredictable. Divorce seemed the only safe exit, and to spare Mike further pain, she told him his father had died. Recently, however, he had reentered her life, changed and remorseful after years of therapy. They had rekindled their relationship in secret, a fact she intended to disclose but never found the right moment.
The revelations left Susan and Mike reeling. Trust, the foundation of their family, had been shaken to its core. They drove home with more questions than answers, each lost in a tumult of betrayal, revelation, and the daunting task of reconciliation.
Back home, Mike needed space to process the gravity of his mother’s deceit and the shock of his father’s sudden resurrection in his life. He decided to meet his father, to seek answers only the man himself could provide.
“I need to see him for myself,” Mike decided, the weight of his words hanging between him and Susan.
Susan supported him, understanding his need for closure, for answers that might mend the fragmented pieces of his past.
When Mike returned from the meeting, he was visibly altered—exhausted yet relieved. His father was indeed a changed man, no longer the figure from the dark tales of his mother’s recounts but someone seeking forgiveness and a chance to rebuild what was lost.
As Susan and Mike navigated through the aftermath, their bond strengthened, underscored by a newfound commitment to transparency and understanding. Together, they faced the complex journey of healing, learning anew that the secrets we keep, no matter how well-intentioned, often have a way of surfacing, demanding attention and resolution.
This narrative not only expands on the original plot but also dives deeper into the emotional and psychological impacts of secrets within a family, offering a rich exploration of trust, redemption, and the complexities of human relationships.
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